Guy Kenmore's Wife, and The Rose and the LilyMiller, Alex. McVeigh, Mrs.
Philosophy
Guy Kenmore's Wife, and The Rose and the Lily
Miller, Alex. McVeigh, Mrs.
Fiction
"God bless you, you shall be like my own child, Reine. And it may not be
for long," Mrs. Odell sighs. "I am afraid--afraid, dear, that I shall
never see my native land again."
"We will hope for the best," the girl answers, gently, "and if--if it
should be as you fear, you will not forget that Heaven is as near to
Italy as to our native land."
Heaven! to these two who have lost the treasure of life, that word is
sweet and potent.
Drawn nearer together by the waves of sorrow that have gone over their
heads, they cling together in the falling twilight, and talk softly of
"A land whose light is never dimmed with shade,
Whose fields are ever vernal;
Where nothing beautiful can ever fade,
But blooms for aye eternal."
* * * * *
The soft Italian winter comes and goes. To Reine's young and
inexperienced eyes, as she ministers lovingly to her dying friend, it
seems as if a change for the better is taking place. But Doctor Franks
shakes his head.
"Impossible," he tells her, sadly. "It is a marvel she has lasted so
long. It almost seems as if your love and tenderness have held her
fluttering spirit back from the other world. The end is not far now."
But the spring days pass with such gentle touches on the wasting frame
that the spirit lingers still.
At last, in the golden sunset of a golden June, Mrs. Odell's summons
comes, gently, as if angels had borne it down the golden stairway of the
sky, closing her tired eyelids on the fair land of Italy, with her thin
hand nestled in Reine's warm clasp, she opens them again on the
"stiller, fairer world of the dead."
CHAPTER XXVI.
Standing alone and sadly by the marble cross that marks Mrs. Odell's
quiet grave, Reine's thoughts turn homeward. The longing for native land
inherent in humanity begins to stir in her heart.
"'Tis hame, hame, hame, hame I fain would be,
Hame, hame, hame, in my ain countree."
The slim, dark figure standing quietly with the pale face turned
seaward, has a pathetic grace and beauty all its own.
So thinks one who approaches so quietly along the grass-grown paths of
"the city of the dead," that she starts with a frightened little cry
when he stands before her.
"Oh! Dr. Franks, how you startled me," she says, with one slim, white
hand pressed against her heart to still its rapid beating.
"Did I? Pardon me," he answers, with an irrepressible glance of
admiration. "I forgot you might be nervous in this quiet, lonely spot.
Do I intrude upon you?"
"The place is free to all," she answers, somewhat confusedly.
"That would be no excuse for me if you did not desire my company," he
answers, quickly and humbly, then in a lower tone: "Oh! Mrs. Charteris,
you must pardon me that I have followed you here! I had something to say
to you. Can you not guess?"
"Do not say it, please. I would rather not hear," she answers, with
weary indifference in face and voice.
His handsome, eager face grows blank and dismayed.
Public-domain text, read in full here on John Shaqi.
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