"How shall I communicate what I have now to tell!--My hand and
Heart still flutter so much, that the task of writing is almost
impossible!--Did I not say that he lived? did I not say I would not
despair? How could you suggest, my dear Matilda, that my feelings,
considering I had parted from him so young, rather arose from the
warmth of my imagination than of my heart?--Oh! I was sure that
they were genuine, deceitful as the dictates of our bosom so
frequently are.--But to my tale--let it be, my friend, the most
sacred, as it is the most sincere, pledge of our friendship.
"Our hours here are early--earlier than my heart, with its load of
care, can compose itself to rest. I, therefore, usually take a
book for an hour or two after retiring to my own room, which I
think I have told you opens to a small balcony, looking down upon
that beautiful lake, of which I attempted to give you a slight
sketch. Mervyn Hall, being partly an ancient building--, and
constructed with a view to defence, is situated an the verge of the
lake. A stone dropped from the projecting balcony plunges into
water deep enough to float a skiff. I had left my window partly
unbarred, that, before I went to bed, I might, according to my
custom, look out and see the moonlight shining upon the lake. I
was deeply engaged with that beautiful scene in the Merchant of
Venice, where two lovers, describing the stillness of a summer
night, enhance on each other its charms, and was lost in the
associations of story and of feeling which it awakens, when I heard
upon the lake the sound of a flageolet. I have told you it was
Brown's favourite instrument. Who could touch it in a night which,
though still and serene, was too cold, and too late in the year, to
invite forth any wanderer for more pleasure? I drew yet nearer the
window, and hearkened with breathless attention--the sounds paused
a space, were then resumed--paused again--and again reached my
ear, ever coming nearer and nearer. At length, I distinguished
plainly that little Hindu air which you called my favourite--I have
told you by whom it was taught me--the instrument, the tones, were
his own!--was it earthly music, or notes passing on the wind, to
warn me of his death?
Public-domain text, read in full here on John Shaqi.
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