On my word, Matilda, I believe he
nurses his high opinion of this most awkward of all pedants upon a
similar principle. He seats the creature at table, where he
pronounces a grace that sounds like the scream of the man in the
square that used to cry mackerel, flings his meat down his throat
by shovelfuls, like a dustman loading his cart, and apparently
without the most distant perception of what he is swallowing,--then
bleats forth another unnatural set of tones, by way of returning
thanks, stalks out of the room, and immerses himself among a parcel
of huge worm-eaten folios that are as uncouth as himself! I could
endure the creature well enough, had I anybody to laugh at him
along with me; but Lucy Bertram, if I but verge on the border of a
jest affecting this same Mr. Sampson (such is the horrid man's
horrid name), looks so piteous, that it deprives me of all spirit
to proceed, and my father knits his brow, flashes fire from his
eye, bites his lip, and says something that is extremely rude, and
uncomfortable to my feelings.
"It was not of this creature, however, that I meant to speak to
you--only that, being a good scholar in the modern, as well as the
ancient languages, he has contrived to make Lucy Bertram mistress
of the former, and she has only, I believe, to thank her own good
sense or obstinacy, that the Greek, Latin (and Hebrew, for aught I
know), were not added to her acquisitions. And thus she really has
a great fund of information, and I assure you I am daily surprised
at the power which she seems to possess of amusing herself by
recalling and arranging the subjects of her former reading. We read
together every morning, and I begin to like Italian much better
than when we were teased by that conceited animal Cicipici,--this
is the way to spell his name, and not Chichipichi--you see I grow a
connoisseur.
'" But perhaps I like Miss Bertram more for the accomplishments
she wants, than for the knowledge she possesses. She knows nothing
of music whatever, and no more of dancing than is here common to
the meanest peasants, who, by the way, dance with great zeal and
spirit. So that I am instructor in my turn, and she takes with
great gratitude lessons from me upon the harpsichord, and I have
even taught her some of La Pique's steps, and you know he thought
me a promising scholar.
Public-domain text, read in full here on John Shaqi.
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