When Mannering returned to England, his first object had been to place
his daughter in a seminary for female education, of established
character. Not, however, finding her progress in the accomplishments
which he wished her to acquire so rapid as his impatience expected, he
had withdrawn Miss Mannering from the school at the end of the first
quarter. So she had only time to form an eternal friendship with Miss
Matilda Marchmont, a young lady about her own age, which was nearly
eighteen. To her faithful eye were addressed those formidable quires
which issued forth from Mervyn Hall on the wings of the post while Miss
Mannering was a guest there. The perusal of a few short extracts from
these may be necessary to render our story intelligible.
FIRST EXTRACT
'Alas! my dearest Matilda, what a tale is mine to tell! Misfortune from
the cradle has set her seal upon your unhappy friend. That we should be
severed for so slight a cause--an ungrammatical phrase in my Italian
exercise, and three false notes in one of Paisiello's sonatas! But it
is a part of my father's character, of whom it is impossible to say
whether I love, admire, or fear him the most. His success in life and
in war, his habit of making every obstacle yield before the energy of
his exertions, even where they seemed insurmountable--all these have
given a hasty and peremptory cast to his character, which can neither
endure contradiction nor make allowance for deficiencies. Then he is
himself so very accomplished. Do you know, there was a murmur, half
confirmed too by some mysterious words which dropped from my poor
mother, that he possesses other sciences, now lost to the world, which
enable the possessor to summon up before him the dark and shadowy forms
of future events! Does not the very idea of such a power, or even of
the high talent and commanding intellect which the world may mistake
for it,--does it not, dear Matilda, throw a mysterious grandeur about
its possessor? You will call this romantic; but consider I was born in
the land of talisman and spell, and my childhood lulled by tales which
you can only enjoy through the gauzy frippery of a French translation.
O, Matilda, I wish you could have seen the dusky visages of my Indian
attendants, bending in earnest devotion round the magic narrative, that
flowed, half poetry, half prose, from the lips of the tale-teller! No
wonder that European fiction sounds cold and meagre, after the
wonderful effects which I have seen the romances of the East produce
upon their hearers.'
SECOND EXTRACT
Public-domain text, read in full here on John Shaqi.
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