"The Persian girls dance at their sacrifices like witches at a Sabbat--that is naked--to the sound of an instrument. And the witches in their accursed assemblies are either entirely naked or en chemise, with a great cat clinging to their back, as many have at divers times confessed. The dame called Volta is the commonest and the most indecent. It is believed that the devil taught three kinds of dances to the witches of Ginevra, and these dances were very wild and rude, since in them they employed switches and sticks, as do those who teach animals to dance. "And there was in this country a girl to whom the devil had given a rod of iron, which had the power to make any one dance who was touched with it. She ridiculed the judges during her trial, declaring they could not make her die, but they found a way to blunt her petulance. "The devils danced with the most beautiful witches, in the form of a he-goat, or of any other animal, and coupled with them, so that no married woman or maid ever came back from these dances chaste as they had gone. They generally dance in a round, back to back, rarely a solo, or in pairs. "There are three kinds of witch-dances; the first is the trescone alia Boema, or the Bohemian rigadoon" (perhaps the polka), "the second is like that of some of our work-people in the country, that is to say by always jumping" (this may be like the Tyrolese dances), "the third with the back turned, as in the second rigadoon, in which all are drawn up holding one another by the hand, and in a certain cadence hustling or bumping one another, deretano contro deretano. These dances are to the sound of a tambourine, a flute, a violin, or of another instrument which is struck with a stick. Such is the only music of the Sabbat, and all witches assert that there are in the world no concerts so well executed." "A tambourine, a violin, a flute," with perhaps a zimbel, which is struck with a stick. Does not this describe to perfection gypsy music, and is not the whole a picture of the wildest gypsy dancing wherever found? Or it would apply to the Hindoo debauches, as still celebrated in honour of Sakktya, "the female principle" in India. In any case the suggestion is a very interesting one, since it leads to the query as to whether the entire sisterhood of ancient strolling, licentious dancers, whether Syrian, Spanish, or Egyptian, were not possibly of Indian-gypsy origin, and whether, in their character as fortune-tellers and sorceresses, they did not suggest the dances said to be familiar to the witches.