Gypsy Sorcery and Fortune Telling: Illustrated by numerous incantations, specimens of medical magic, anecdotes and talesLeland, Charles Godfrey
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Gypsy Sorcery and Fortune Telling: Illustrated by numerous incantations, specimens of medical magic, anecdotes and tales
Leland, Charles Godfrey
Fortune-telling; Magic, Romani; Romanies
"Three white, three black,
Three fat lie together here.
Whoever disturbs them
Remain to me! (Be mine!)"
To insure pigs thriving by a new owner, some charcoal-dust is mingled
with their food and these words spoken:--
"Nivaseske ná muká,
The çál t're çábená!
Miseç yákhá tut díkhen,
The yon káthe mudáren,
Tu atunci çábá len!"
"Do not let the Nivasi
Eat thy food,
Evil eyes see thee,
And they here shall perish,
Then do thou eat them!"
As a particularly powerful conjuration against thieves, the owner
runs thrice, while quite naked, round the animal or object which he
wishes to protect, and repeats at every turn:--
"Oh coreyá ná prejiá.
Dureder ná ává!
T're vástá, t're punrá
Avená kirñodyá
Te ádá pedá láves!"
"Oh, thief, do not go,
Further do not come!
Thy hands, thy feet
Shall decay
If thou takest this animal!"
Another "thieves' benediction" is as follows: The owner goes at
midnight with the animal or object to be protected to a cross-roads,
and while letting fall on the ground a few hairs of the beast, or a
bit of the thing whatever it be, repeats:--
"Ada hin tute,
Ná ává pál menge,
Dav tute, so kámáv;
Pçuvuseyá áshuná!"
"This home is not good,
Here I give (thee) blood!"
"The gypsies call the quail the devil's bird (Ciriclo bengeskro),
and ascribe diabolic properties to it. (Vide Cassel, 6 and 162.) The
daughters of the Nivasi appear as quails in the fields by day, but
during the night they steal the corn. To keep them away it is held
good during sowing-time to place in each of the four corners of the
field, parts of a quail, or at least some of the feathers of a black
hen which has never laid an egg. This superstition is also current
among the Roumanian peasants of the Siebenbürgen."
Public-domain text, read in full here on John Shaqi.
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