Advertising -- Fiction; Bank employees -- Fiction; Labor unions -- Fiction; New York (N.Y.) -- Fiction; Satire
"Yes, darling," said Mrs. Goodchild, absently. "I don't think. I'd like
it quite like Celestine's-- Grace, love, will you run over to Raquin's
spring exhibition at the Fitz-Marlton and look at it? It is next to the
black that Mrs. Vandergilt liked. I have an appointment with
Celestine--"
Grace knew that the selection of a husband could wait, for fashions in
that line do not change so quickly as in skirts. She dutifully said, "I
will!" She also had her eye on one.
Before going to Raquin's display she stopped at Oldman's.
The store flunky opened the door of her motor and smiled happily when he
saw who it was. She was made subtly conscious that he was dying to
announce her name to the world at the top of his enthusiastic voice.
Life in New York had its compensations, after all.
She entered. The shop-girls whispered to the customers on whom they were
waiting. The customers turned quickly and stared at Grace Goodchild.
"She often comes here!" she heard the pretty little thing in charge of
seventy-two glove-boxes say proudly to a client.
The girl who waited on Grace was a stranger. Nevertheless, when Grace
told her "I'll take these!" the girl said, "Very well, Miss Goodchild."
"Oh!" gasped Grace. "You know me?"
"What d'ye t'ink I am?" said the girl, indignantly. "Say, it was great,
Miss Goodchild!"
The worship in the girl's eyes kept the language from being offensive.
"Thank you!"
"I hope you'll be very happy, Miss Goodchild," said the girl, and
blushed. "Oh, I didn't mean to be--I--I couldn't help wishing it, Miss
Goodchild!"
"I'm sure I'm very grateful for your good wishes," Grace told her,
graciously.
The child's--age twenty-four--eyes filled with tears. As Grace walked
away, Mayme's lips moved raptly. She was memorizing dem woids.
On her way out Grace went through the same craning of necks, the same
vivid curiosity, the same half-audible murmurs, the same spitefulness in
the eyes of the women who, though rich, were not famous. Everybody is so
disgustingly rich nowadays that society had begun to applaud such
remarks as, "I've had to give up one of my motors," or, "Jim says he
won't put the _Mermaid_ in commission this year; simply can't afford
it."
At Raquin's wonderful exhibition of models Grace saw exactly what she
wished to see. It would be worthy of her and of her throat. One who is
photographed many times a week has to have gowns; not to have them is
almost immoral. Grace was so concerned with doing her duty toward the
public that she forgot that she had come to see the third one, next to
Mrs. Vandergilt's black. She was nearly half-way home before she
remembered what her mother had asked her to do.
Grace went back to the Fitz-Marlton. Dress was a public service. Mrs.
Goodchild's clothes must tell the public whose mother she was.
She told the chauffeur "Home," and began to think.
Pleasure could be made a duty. Blessed indeed is she in whose mind, as
in a vast cathedral, pleasure and duty solemnly contract nuptials.
Public-domain text, read in full here on John Shaqi.
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