Habits and men, with remnants of record touching the makers of bothDoran, Dr. (John)
Philosophy
Habits and men, with remnants of record touching the makers of both
Doran, Dr. (John)
Manners and customs
The ruffians having been soon after got out of the way, Gaspero took to
seeing ghosts and other unpleasant things, by way of showing his remorse
for having been accessory to the murder of a tailor. But in the meantime
his supposed victim was mirthfully passing from inn to inn; and as those
establishments were ever furnished with a haunted room, it was his humour
to sleep in the same, and lay the ghosts and other spirits which he found
there.
Soon, weary of this life ashore, Hawkwood took to the sea, accompanied
by Lovewell, another young tailor, and another victim of the gentle
vision, who had unsuccessfully endeavoured to sun himself in a Lamira’s
eyes. At the conclusion of the voyage, the adventurous youths landed in
Ireland, and became ’squires of dames, taking up their quarrels, fighting
in their behalf against any odds, and performing wonderful actions, such
as could only have been imagined by the most unscrupulous of liars. When
Pelion has been mounted upon Ossa, and the heap of mendacity is reared
to a sufficiently stupendous height, the author grows tired of romantic
fibbing, and descends to the lie commonplace. He brings his heroes to
England, and with them two pages, who had joined their slim selves to
the heroic tailor-knights’ fortunes; and who of course turn out, as is
perfectly natural, to be Dorinda and Lamira in disguise. Then, at the
end of the first act of the drama, there is a double wedding, a dance of
characters, and an elaborate detail of after circumstances which I will
not pause to relate.
Such was the treatment which Hawkwood and history received at the hands
of an anonymous author in the year 1687. The volume in question, of which
there are two copies in the British Museum, is, in fact, a coarsely
printed black-letter tract; the paper such as even a modern grocer
would turn up his nose at; and the woodcuts violating every propriety,
regardless at once of perspective and humanity.
Public-domain text, read in full here on John Shaqi.
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