In an earlier chapter Professor Bölsche tells the moving story of the
writing of the _General Morphology_: the young man making his masterly
appeal to the scientists of Germany, which he thinks they will read over
his grave. There is a singular parallel to this in Haeckel’s attitude at
the time when Bölsche closed his work. Haeckel had just written another
“last will and testament,” another proud and defiant utterance of what
he felt to be the truth about God and man and nature. Once more he
seemed to see the marble gates at the close of his career, and his
sombre glance fell round on a world that was, he thought, sinking into
reaction. This time he appealed to the people. The five years that have
followed have witnessed an extraordinary response on the part of the
people. With the speed of a popular romance his work has flown through
Europe. He has received a hundred proofs that, at all events, the ideas
he thinks to be fraught with salvation for humanity are being considered
and discussed in wide circles that had never before known that there was
a “riddle of the universe.” He has been urged in the heart of the Sahara
to read his own works. He has met, as he travelled on an Alpine railway,
cultured nuns who told him they had learned evolution from “Professor
Haeckel’s works.” He has looked down with mingled feeling on the wild
applause of a gathering of thousands of Socialists. He has been
immortalised—strangest and last of all apotheoses—in an academic history
of philosophy!
The present chapter will tell the story of these five stirring years. It
will aim at conveying to the English reader, by plain presentment of
facts, a full picture of the activity that has attracted or distracted
the attention of so many in the last few years. If Dr. Gramzow is right,
if through these five years of indefatigable labour the aged scientist
has become a “sower of the future,” it is well for friend and foe to
understand him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account