Feminist fiction; Historical fiction; Southern States -- Fiction; Women -- Southern States -- Fiction; Women authors -- Fiction
Almost every evening, at the Maines', people came in--old Southern
friends, living in New York, or here on business or other occasions,
young men and women, fond of Rachel, acceptable fellow-sheep from the
fold of St. Timothy, now and then the rector himself, now and then some
young man, Southern, with a letter of introduction. Sometimes there
were but one or two besides the family, sometimes seven or eight. There
was little or no formal entertainment, but this kind of thing always.
Each day at dusk Hagar put on one of the two half-festive gowns which,
at the last moment, Miss Serena had insisted she must have. Both were
simplicity itself, both of some soft, crêpy stuff, one dark bronze
and one dark green. They were made with the large puffed sleeves of
the period, and the throat slightly low and square. "Country-made,
but somehow just right," Rachel judged. "You aren't any more adorned
than the leaf of a tree, and yet you might walk, just as you are, into
Cæsar's palace."
Usually by half-past ten visitors were gone, lights downstairs were
out. Powhatan and Bessie believed in early to bed and late to rise.
Upstairs, in her bedroom on the third floor, Hagar shook out and hung
in the closet the bronze or green dress, as the case might be, put on
her gown and her red wrapper, braided her hair, pushed the couch well
beneath the light, curled herself up on it under the eider-down quilt,
and, tablet against knee, began to write.... The Short Story--it was
that she dreamed and wrote and polished. Two currents of thought and
aspiration ran side by side. "To earn money--to make my own living--to
be able to help"; and "To make this Idea, that I think is beautiful,
come forth and grow.--To get this thing right--to make this dream show
clear--to do it, to do it!--To create!" The latter current was the most
powerful. The former would sooner or later accomplish its end; it would
turn the mill-wheel and be content. But the latter--never, never would
it be satisfied; never would it say, "It is accomplished." Always there
would be the further dream, always the necessity to make that, too,
come clear. There were other currents, more or less strong, Desire of
Fame, Desire to be Known, Desire to Excel, and others; but the first
two were the great currents.
Since March and the fairy story she had written other stories, four
or five in all. She had sent them to magazines, and all but one had
come back. That one she had sent immediately after her search for
Thomasine. In a month she had word that it was taken, and that, on
publication, she would be paid fifty dollars. The letter was like
manna, she went about all day with a rapt face. To write--to write--to
write stories like Hawthorne, like Poe....
Public-domain text, read in full here on John Shaqi.
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