Feminist fiction; Historical fiction; Southern States -- Fiction; Women -- Southern States -- Fiction; Women authors -- Fiction
"I'm glad you've found it so," said Rachel. "You've got a wonder-world
of your own, behind your eyes. Everything spins out for good for you
sooner or later and somehow or other. You're lucky!"
"Aren't you lucky, too? Haven't you liked this winter?"
"Oh, I've liked it so-so! I've liked you."
"Rachel, I wish you'd be happy. You've got those darling children."
"I am happy where the children touch. And, oh, yes, they touch a long
way round! But there's a gap in the circle where you go out lonely and
come in lonely."
"That's true of everybody's circle:--mine, yours, everybody's. But you
chafe so. You blow the coals with your breath."
"I don't need to blow the coal. It burns without that.... Let me tell
you, Hagar. There are two kinds of people in the world. The people who
are half or maybe two thirds the way out of the pit and the mire and
the slough and the shadow so thick you can cut it! They are rising
still, and their garments are getting clean and white, and they can
see the wonderful round landscape, and they look at it with calm,
wide eyes. They're nearly out; they're more or less spectators. The
other kind--they're the poor, dull, infuriated actors. They're still
in; they can hardly see even the rim of the pit. The first kind wants
to help and does help. It's willing for the others to lay hold of
its hands, its skirts, to drag out by. It's willing as an angel, and
often the others wouldn't get out at all if it didn't give aid. But
it's seen, of course, and it's away beyond.... People like Elizabeth
Eden, for instance.... But the other kind--my kind.--It's all personal
with us yet--we're fighting and loving and hating, down here in the
muck and turmoil--all of us who are yet devils, and those who are
half-devils, and those of us who are just getting vision and finding
the stepping-stones--the animal and the half-animal, and those who've
only got pointed ears--all resenting and striking out and trampling one
another, knowing, some of us, that there are better things and yet not
knowing how to get the shining garments; others not caring--Oh, I tell
you, life's a bubbling cauldron!"
"I know it is--deep above and deep below. But--"
Rachel rose, went to the window, and stood, brow against the pane,
looking out. The rain dashed against the glass; all the street lights
were blurred; the gusty wind shook the bare boughs of the one tree upon
the block, "You don't know anything about my married life. Well, I'm
going to tell you."
Public-domain text, read in full here on John Shaqi.
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