Feminist fiction; Historical fiction; Southern States -- Fiction; Women -- Southern States -- Fiction; Women authors -- Fiction
Hagar moved to a stone seat that commanded an opening in the garden
wall. She looked out, down and over a short, steep, dazzling white
street and a swarm of low, pale-coloured, chimneyless houses, with the
green between of tropic trees, to the surf upon the coral shore and the
opaque, marvellous blue of the surrounding sea. The creative passion
was upon her, but it moved nowadays as it had moved with many an
idealist-realist before.... To mould living material, to deal with the
objective, to deal with the living world, not the world of bright-hued
shadows; to see the living world lighten to the dawn, see the dull hues
brighten, see the beautyless become beauty and beauty grow vivid, to
see all the world lift, lift toward the golden day, to see the race
become the over-race.... She would have died for that and died to help.
She laid her arms along the stone and her head upon them. "And yet I
do not help, or not with all that is in me. I sit here to one side and
spin fancies."
She rose, and put on a shady hat, and going out into the dazzling white
street moved down it, and then by another across for some distance
to the white road by the sea. Her back to the town, she walked on.
A few scattered palms, the sea-wall; then where it ended, an edging
tangle of the hard green leaves of the sea-grape; outside of that,
low fantastically worn coral rock and the white dash and spray of the
water. Though the sun was high and the sky intense and cloudless, a
wind blew always; the air was dry and the day not too warm. There was
hardly anyone upon the road. She met a cluster of negro children and
talked with them a little. A surrey, of the type that waited on the
street near the great hotels, passed her, driven sleepily by a sleepy
negro, within it a large man in white. When it was gone in a little
cloud of white dust there was only the long road, and the unyielding
monotonous green of the sea-grape, and the water thundering in an
undertone. Hagar turned aside, broke through the grape, and came down
to the edge of the surf. There was a rock hollowed until it made a rude
chair. She sat down and looked out to sea. On one hand, across the
harbour mouth, rose from a finger-narrow sliver of land, a squat white
lighthouse; but turn a little and look away and there was only the open
sea, unimaginably blue, azure as the sky. The soft wind blew, the surf
broke in low thunder. Hagar, her chin upon her hand, sat for a long
time, very still.
"How good is man's life, the mere living--"
It seemed true enough, sitting there in the sunshine, in the heart
of so rich a beauty. She agreed. How good it was, how good it often
was!--only, only.... The line was true, perhaps, of all at some time,
of some at all times--though she doubted that--but never of all at all
times. It was true of a host at very few times; it was never so true of
any as it might be.
Public-domain text, read in full here on John Shaqi.
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