Feminist fiction; Historical fiction; Southern States -- Fiction; Women -- Southern States -- Fiction; Women authors -- Fiction
bigotry to be met, and a maniac fear of change, inertia, tradition,
habit, the dead past's hand, cold and heavy--and all the interested
opposition, the things whose book the movement did not suit--and all
the lethargy of womankind itself.... And in the very camp, in the huge,
chaotic movement itself, as in all the past's vast human movements,
recurring frictions, antagonisms, small jealousies, flags set up
by individuals, pacifications and smoothings, bringing compatibles
together, keeping incompatibles apart.... A contending with outer
oppositions and inner weaknesses, resisting discouragement, fighting
cynicism, acknowledging the vast road to travel, keeping on.... She
knew nothing that was at once so weak and so mighty as the Woman
Movement. One who was deep within it might feel at times a vast
weariness, impatience, and despair ... but deep within it you never
left it. Here you dealt with clay that was so cold and lumpish it
seemed that no generous idea could germinate within; here you dealt
with stuff so friable, light, and disintegrative that the thought
would come that it were better to cast it to the winds ... but you did
not; you comforted your soul with the very much that was noble, and you
hoped for the other that was not yet noble, and you went on--went on.
It was all you yourself--you had within you the intractable clay and
the stuff light as chaff, inconsequent; but you went on transmuting,
lifting.... There was no other hope, no other course, deep down no
other wish. So with the Woman Movement.... Another station. Hagar
looked out at the lights and the hurrying forms; then, as the train
roared into the white countryside, at what could be seen of the fields
and hills and storm-bent trees. She was thinking now of Gilead Balm and
her childhood and her mother. She seemed to lie again, close beside
Maria, on the big, chintz-covered sofa. At last she slept, lying so.
Captain Bob and Lisa met her at the station, three miles from Gilead
Balm. Captain Bob had a doleful mien. "Oh, yes, the Colonel's
better--but I don't think he's so much better. He's getting old--and
Lisa and I are getting old, too, aren't we old girl?--old like Luna
and going away pretty soon like Luna. Well, Gipsy, you're looking
natural--No, it's been an open winter down here--not much snow." He put
her in the carriage, and they drove slowly to Gilead Balm, over the
heavy country road.
Old Miss was well; Serena was well; Captain Bob himself had had
rheumatism, but he was better.--The Colonel didn't look badly; it was
only that he didn't seem to want to get out of bed, and that every
little while he set the clock back and rambled on about things and
people--"It's creepy to hear him," said Captain Bob. "He thinks young
Dr. Bude is old Dr. Bude, and he thinks that Maria is alive, and that
she won't let you come into the room. And then it'll change like that,
and he's just as much himself as he ever was--more so, in fact.--Hi,
Li-sa! let that rooster alone--"
Public-domain text, read in full here on John Shaqi.
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