The furniture consists of massive tables with marble tops, and handsome arm-chairs and couches covered with costly satins. The walls are resplendent with gilt mirrors and with heavy hanging curtains. The floors are covered with rich carpets. There is a three-hundred-dollar piano, on which the lady never plays; and there are pictures, of which the frames are more artistic than the subjects—the whole having the air of a show repository of some sort. Indeed, if your host is at all taken by surprise, the first thing he does is to open all the shutters, as, except upon such occasions, the apartment is one of silent and absolute gloom. He has a guest-chamber, also furnished after a civilized style, in which he puts you, if you are going to stay with him, and he has so far adopted civilized habits that he sleeps on a bed himself, and not on mats on the floor, like his forefathers. His dinner is served on a table, which is spread as he has seen it spread in the houses of foreigners, but he retains the native cooking, the huge pillaw of rice, the chicken stew with rich and greasy gravy, the lamb stuffed with pistachio nuts, the leben or sour milk, the indescribable sweet dishes, crisp, sticky, and nutty, the delicious preserves of citrons, dates, and figs, the flat bread and the goat cheese, and the wine of the country. Altogether, he gives you plenty to eat, drink, and smoke, but his conversational powers and ideas are limited, which is not to be wondered at, considering that there is not a book in the house. He tells you that the house cost him $9000, which does not seem likely to be an exaggeration when we look at the handsome marble floors and staircase, massive arches, and the extent of ground which is covered by spacious halls and ample courts.