Children's stories; Girls -- Conduct of life -- Juvenile fiction
She threw the last word back over her shoulder as she went darting
away, followed by Polly who soon passed her, laughing and
breathless. In the middle of the long, white bridge she stopped
and looked about her, struck by the beauty of the familiar scene
around, the soft hills at the north, the shining, river as it
wound along through the russet meadow grass, and cut its way
between the southern mountains, over which slowly flitted the
clouds above. A few belated crows rose and sank down again over
the deserted corn-fields, while, from the red house on the river
bank, the great black dog barked an answer to their hoarse cries.
No other living thing was in sight as Molly joined her friend, and
they stood leaning against the iron rail, with their backs turned
to the cutting wind that came down upon them from the northern
hills.
"Now, Polly." And Molly paused expectantly.
From rosy red, Polly's face grew very white, and her breath came
short and hurried. She hesitated for an instant, then plunged her
mittened hand into her coat pocket, and pulled out a dingy sheet
of paper whose folds, worn till they were transparent, showed the
marks of long service. With trembling hands, she smoothed it out,
tearing it a little, in her excitement. Then she turned to Molly.
"Now, Molly Hapgood," she said solemnly; "will you promise never
to tell, if I tell you something that there doesn't anybody else
know, that I've never even shown to mamma?"
"Go on, Polly!" urged her friend impatiently, trying to steal a
glance at the worn-out sheet, which was covered with Polly's
irregular, childish writing. But Polly edged cautiously away.
"Now remember," she said again; "you're the only single soul in
the world that knows this, Molly; and I am telling you my secret
because I know you love me. I've--" there was a catch in her
breath--"I've written a poem!"
"Really!" And Molly's eyes grew round with astonishment and
respectful awe.
"Yes," Polly went on more calmly, now the great secret was out; "I
knew I could, and it was just as easy as could be."
"How did you ever know how?" inquired Molly, with a vague idea
that she had never before appreciated this gifted friend.
"I didn't know how, at first," answered Polly, kindly exposing her
methods of work to her friend's gaze. "I just knew that there
ought to be some rhymes, and then I must say something or other to
fill up the lines. One Sunday in church I read lots of hymns,--
Aunt Jane wasn't there, you know,--and then I went to work."
"Are you going to have it printed?" asked Molly.
"Not yet," said Polly. "I thought at first I would send it to the
_News_, but I've a better plan. I'm going to copy it all out,
and write my name on it and my age and how I came to write it, and
put it away. After I'm dead and famous, somebody will find it, and
it will be printed. Then people will make a fuss over it and call
me a child prodigy and all sorts of nice things."
Public-domain text, read in full here on John Shaqi.
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