Children's stories; Girls -- Conduct of life -- Juvenile fiction
There was something at once so quaint and so ridiculous in the
pair, that they gazed at each other for a moment, and then,
sinking clown on the floor regardless of their finery, they burst
out laughing.
"Oh, Alan, you're so absurd!" gasped Polly.
"You're another," responded Alan; "only you're worse." And they
went off into a fresh paroxysm of giggles.
At last Polly sprang up with decision.
"How silly you are, Alan!" she said, as she marched up to the
glass once more.
"Am I?" inquired Alan meekly. "How do you like the looks, Polly?"
Polly stared at herself closely and long, and a scornful
expression gathered about her lips.
"It doesn't match," she said concisely, as she turned away.
It certainly did not. The face and head-dress, suggestive of the
free, roving life of the plains, rose above a gown which was only
suited to comic opera. Clearly, Pocahontas had made a mistake when
she arranged her costume.
"What shall we do about it?" she asked disconsolately, as she
faced Alan once more.
"Do? If I were in your place I'd get myself up as a real genuine
Pocahontas, and not go trailing around in any such trumpery as
that," returned Alan, scornfully kicking at the end of the train,
as it lay across his toes.
"I suppose it would be better," said Polly faintly. "This doesn't
seem to suit the part very well, but I did want to wear it." And
she gazed regretfully down at her despised finery.
"I'll tell you what," suggested Alan, "why not wear this when you
are at court? You'll have your face washed and your feathers off
there, and this will be just the thing. When you first come on,
you can have a real Indian dress. How would that go?"
"Good, Alan!" And Polly swept up and down the room once more,
watching her train, over her shoulder, and listening with a
rapturous countenance to the silken swish of her skirts.
"Now," said Alan, who was beginning to be tired of the question of
dress, "let's begin and go over our scenes."
"We ought to have Jean here," said Polly, as she regretfully
turned away from the mirror.
"No matter, we can do a good deal as 'tis. Let's take this end of
the room for a stage." And Alan stretched himself out on the
floor, prepared to die heroically, and began a sentimental speech
of farewell to his distant home and friends.
"Now, Poll, we'll leave out what comes next. Your word is 'And so
farewell! Let the fatal drop fall!'"
The most critical audience could have found no fault with the way
Polly rushed in and cast herself upon the neck of the valiant
captain, while she alternately defied her father, the irate
Powhatan, and in elaborate broken English, cooed loving words into
the ear of her "own dear John," who lay coughing and strangling in
her clutches. As soon as he could regain his breath, he responded
as a gallant Englishman should, and the scene went on smoothly,
with many a coquettish bit of by-play on Polly's part, and a stern
resolve, on the captain's side, to reduce it all to the footing of
high tragedy.
Public-domain text, read in full here on John Shaqi.
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