Half a Hundred Hero Tales of Ulysses and The Men of Old
General
Half a Hundred Hero Tales of Ulysses and The Men of Old
Mythology, Classical -- Juvenile literature
Tyrant as he was, Polycrates was a patron of the arts. It was at his
court that Anacreon sung of wine and love as none had sung before.
Painters and sculptors and musicians were entertained there, and he
delighted in their arts. Should he sacrifice his favorite singer, his
most gifted painter? Should he obliterate the world-famous fresco of
his banquet hall, or slay the most beautiful of his slaves? But a new
singer would soon replace the old, another artist would arise and
would paint a more enchanting scene, a lovelier slave would fall
captive to his arms.
He despaired of selecting among his countless treasures what was most
precious, when his eye fell on the great gold signet on his
fore-finger. There was the symbol of his power itself, the splendid
gold ring, carved by Theodorus, son of Telecles the Samian. There was
the emerald engraved by Theodorus with his signet device. The impress
of that signet on the pliant wax set the seal of the King's command on
every order. His eyes dwelt on the beautiful ring; he turned it on his
finger, he marked the cunning work of it, the elegant design. The gold
glittered in the sunlight, the heart of the great emerald glowed with
green fire.
"This ring," he cried, "my dearest treasure, my most valued
possession, I will cast into the sea!"
His ministers and courtiers heard him astonished. They spoke among
themselves with bated breath of the thing the King proposed to do.
How could the business of the realm go on without the King's
recognized seal to set upon his ordinances? The news spread through
the palace, where astonishment was mingled with consternation, and
consternation with admiration of the King who would sacrifice so great
a treasure to propitiate the gods for the good of his realm. From the
palace the news spread to the town, and men gathered in knots to
discuss it, and women ran from house to house to tell and hear it.
Then they saw the royal barge of fifty oars being swiftly prepared for
sea. The crowds of workers left their toil in the workshops of the
town and clustered on the quay. They looked and saw the King coming in
procession from the palace, his ministers about him, his courtiers
following after. A frown was on his brow and a fierce resolve in his
eyes. And as he passed along the gangway they marked that his royal
hand was bare; no green fire shone from it like a glow-worm at night.
Out, far out into the sea the rowers drove the swift galley; the water
boiled beneath the keel, and fled hissing from the stroke of those
fifty oars. At last the silent King made a sign, and the oars flashed
out of the water, scattering a silver fountain of spray.
Thrice the King raised his arm in act to throw, and thrice as he eyed
the priceless gem he clutched it in his open palm. But the fourth time
he closed his dazzled eyes and flung it far from him. And the great
emerald, as it fell into the main, flashed like a streamer in the
northern sky.
Public-domain text, read in full here on John Shaqi.
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