Spouses -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
It was Alumnæ Day at the convent. Alumnæ Day meant a half holiday for
the students, frosted cakes for “gouter” at four o’clock, the formal
rooms and study halls and dormitories extra well cleaned and polished,
the Chapel sweet with the fragrance of garden flowers sent by some
graduate, the nuns a little more hurried than usual, though always
composed, their immaculate ruffs whiter, if possible, than ever. Alumnæ
Day brought with it a reception for the graduates who came to inspect
the convent and to be present at the awarding of the gold medal for
Composition and the silver one for French Verse, always given in October
to members of the graduating class and worn proudly throughout the year.
Benediction was especially beautiful with the extra candles on the altar
and Mother Barante’s voice singing the “Tantum Ergo,” and many a
graduate, mentally scarred from some of her contacts with life, often a
little heart-sick at the failure of her ideals or broken by some sorrow,
eased herself in memories of the peace of her schooldays. There was
always a sale, too, of the handiwork of the girls and the money went to
the support of the little charity school on the back of the convent
grounds. Embroidered towels, pillow cases and such little luxuries were
sold for ridiculously high sums and the graduates brought their friends
to buy, too, and swell the fund for the charity school.
It was here that Cecily first met Fliss after the discussion with her
husband and his rather disturbing lunch at the Lennox. By tacit consent
Cecily and Dick had abandoned the plan for a “little dinner and the
Orpheum” for the time being, both feeling a little fraid to reopen the
discussion on points which might prove sensitive.
Madeline had brought Fliss. Madeline had attached herself to Fliss after
Cecily’s comparative retirement and was quite one of the gayest people
in that group which revolved around and with Mrs. Allenby. Agnes
Hearding was there--tall, plainly dressed, a rather affected expression
of continual high nobility on her face. Agatha Ward, too, and she had
changed more than the others. Agatha had stopped writing verses, finding
a more fruitful field in short stories, and she had been markedly
successful for so young a person. Her first novel was on the press now.
She bore the notoriety which surrounded her and all its attendant praise
with considerable grace, a trifle conscious of making literary sentences
perhaps, but not unpleasantly so.
The old, severely furnished convent made an austere background for the
reception. Its proof that luxury was unnecessary to aristocracy was
never more incontestable than on this day when the black robed nuns in
the bare corridors and study rooms received the deference of beauty and
wealth. No matter how powerful a graduate had become, no matter what she
had excelled in, when she returned to the convent it was not to shed
glory on her former surroundings, but to pay a tribute to the convent
itself. So they all felt.
Public-domain text, read in full here on John Shaqi.
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