United States -- Social life and customs -- 20th century -- Fiction
Dike was young Ben, sixteen; and old Ben had no need to try his hand at
him. Young Ben was a born farmer, as was his father. He had come
honestly by his nickname. In face, figure, expression, and manner he was
a five-hundred-year throwback to his Holland ancestors. Apple-cheeked,
stocky, merry of eye, and somewhat phlegmatic. When, at school, they had
come to the story of the Dutch boy who saved his town from flood by
thrusting his hand into the hole in the dike and holding it there until
help came, the class, after one look at the accompanying picture in the
reader, dubbed young Ben "Dike" Westerveld. And Dike he remained.
Between Dike and his father there was a strong but unspoken feeling. The
boy was crop-wise, as his father had been at his age. On Sundays you
might see the two walking about the farm looking at the pigs--great
black fellows worth almost their weight in silver; eying the stock;
speculating on the winter wheat showing dark green in April with rich
patches that were almost black. Young Dike smoked a solemn and judicious
pipe, spat expertly, and voiced the opinion that the winter wheat was a
fine prospect. Ben Westerveld, listening tolerantly to the boy's
opinions, felt a great surge of joy that he did not show. Here, at last,
was compensation for all the misery and sordidness and bitter
disappointment of his married life.
That married life had endured now for more than thirty years. Ben
Westerveld still walked with a light, quick step--for his years. The
stocky, broad-shouldered figure was a little shrunken. He was as neat
and clean at fifty-five as he had been at twenty-five--a habit that
requires much personal courage on a farm and that is fraught with
difficulties. The community knew and respected him. He was a man of
standing. When he drove into town on a bright winter morning and entered
the First National Bank in his big sheepskin coat and his shaggy cap and
his great boots, even Shumway, the cashier, would look up from his desk
to say: "Hello, Westerveld! Hello! Well, how goes it?"
When Shumway greeted a farmer in that way you knew that there were no
unpaid notes to his discredit.
All about Ben Westerveld stretched the fruit of his toil; the work of
his hands. Orchards, fields, cattle, barns, silos. All these things were
dependent on him for their future well-being--on him and on Dike after
him. His days were full and running over. Much of the work was drudgery;
most of it was back-breaking and laborious. But it was his place. It was
his reason for being. And he felt that the reason was good, though he
never put that thought into words, mental or spoken. He only knew that
he was part of the great scheme of things and that he was functioning
ably. If he had expressed himself at all, he might have said:
"Well, I got my work cut out for me, an' I do it an' do it right."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account