United States -- Social life and customs -- 20th century -- Fiction
"There ain't no sense in you trying to make out alone. Next thing you'll
die on me, and then I'll have the whole shebang on my hands." At that he
eyed her dumbly from his chair by the stove. His resistance was wearing
down. He knew it. He wasn't dying. He knew that, too. But something in
him was. Something that had resisted her all these years. Something that
had made him master and superior in spite of everything.
* * * * *
In those days of illness, as he sat by the stove, the memory of Emma
Byers came to him often. She had left that district twenty-eight years
ago, and had married, and lived in Chicago somewhere, he had heard, and
was prosperous. He wasted no time in idle regrets. He had been a fool,
and he paid the price of fools. Bella, slamming noisily about the room,
never suspected the presence in the untidy place of a third person--a
sturdy girl of twenty-two or three, very wholesome to look at, and with
honest, intelligent eyes and a serene brow.
"It'll get worse an' worse all the time," Bella's whine went on.
"Everybody says the war'll last prob'ly for years an' years. You can't
make out alone. Everything's goin' to rack and ruin. You could rent out
the farm for a year, on trial. The Burdickers'd take it and glad. They
got those three strappin' louts that's all flat-footed or slab-sided or
cross-eyed or somethin', and no good for the army. Let them run it on
shares. Maybe they'll even buy, if things turn out. Maybe Dike'll never
come b--"
But at the look on his face then, and at the low growl of unaccustomed
rage that broke from him, even she ceased her clatter.
* * * * *
They moved to Chicago in the early spring. The look that had been on Ben
Westerveld's face when he drove Dike to the train that carried him to
camp was stamped there again--indelibly this time, it seemed. Calhoun
County, in the spring, has much the beauty of California. There is a
peculiar golden light about it, and the hills are a purplish haze. Ben
Westerveld, walking down his path to the gate, was more poignantly
dramatic than any figure in a rural play. He did not turn to look back,
though, as they do in a play. He dared not.
They rented a flat in Englewood, Chicago, a block from Minnie's. Bella
was almost amiable these days. She took to city life as though the past
thirty years had never been. White kid shoes, delicatessen stores, the
movies, the haggling with peddlers, the crowds, the crashing noise, the
cramped, unnatural mode of living necessitated by a four-room flat--all
these urban adjuncts seemed as natural to her as though she had been
bred in the midst of them.
Public-domain text, read in full here on John Shaqi.
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