United States -- Social life and customs -- 20th century -- Fiction
For the rest, he filled gas tanks, changed and pumped up tires, tested
batteries, oiled tappets. But the thing that fascinated him was the
engine. An oily, blue-eyed boy in spattered overalls, he was always just
emerging from beneath a car, or crawling under it. When a new car came
in, en route--a proud, glittering affair--he always managed to get a
chance at it somehow, though the owner or chauffeur guarded it ever so
jealously. The only thing on wheels that he really despised was an
electric brougham. Chippewa's well-paved streets made these vehicles
possible. Your true garage man's feeling for electrics is unprintable.
The least that they called them was juice-boxes.
At home Chug was forever rigging up labour-saving devices for his
mother. The Scaritt's window-shades always rolled; their doorbell always
rang with a satisfactory zing; their suction-pump never stuck. By the
time he was twenty Chug was manager of the garage and his mother was
saying, "You're around that garage sixteen hours a day. When you're home
you're everlastingly reading those engineering papers and things. Your
pa at your age had a girl for every night in the week and two on
Sundays."
"Another year or so and I can buy out old Behnke and own the place.
Soon's I do I'm going to come home in the speediest boat in the barn,
and I'm going to bust up those curtain frames into kindling wood, over
my knee, and pile 'em in the backyard and make a bonfire out of 'em."
"They've been pretty good friends to us, Chug--those curtain frames."
"Um." He glanced at her parboiled fingers. "Just the same, it'll be nix
with the lace curtains for you."
Glancing back on what has been told of Chug he sounds, somehow, so much
like a modern Rollo, with a dash of Alger, that unless something is told
of his social side he may be misunderstood.
Chug was a natural born dancer. There are young men who, after the music
has struck up, can start out incredibly enough by saying: "What is this,
anyway--waltz or fox trot?" This was inconceivable to Chug. He had never
had a dancing lesson in his life, but he had a sense of rhythm that was
infallible. He could no more have danced out of time than he could have
started a car on high, or confused a flivver with a Twelve. He didn't
look particularly swanlike as he danced, having large, sensible feet,
but they were expert at not being where someone else's feet happened to
be, and he could time a beat to the fraction of a second.
When you have practically spent your entire day sprawled under a balky
car, with a piece of dirty mat between you and the cement floor, your
view limited to crank-case, transmission, universal, fly-wheel,
differential, pan, and brake-rods you can do with a bit of colour in the
evening. And just here was where Chippewa failed Chug.
Public-domain text, read in full here on John Shaqi.
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