If Jonson served an apprenticeship as a bricklayer, as his enemies afterward said, he did not continue long at such work. He crossed the Channel and enlisted for a brief time as a soldier in the Netherlands. He soon returned to London and became a writer for the theater, and thenceforth lived the life of an author and a student. He loved to study and translate the classics. In fact, what a novice might think original in Jonson's plays was often borrowed from the classics. Of his relations to the classical writers, Dryden says, "You track him everywhere in their snow." Jonson was known as the most learned poet of the age, because, if his plays demanded any special knowledge, no subject was too hard, dry, or remote from common life for him to attempt to master it. He knew the boundaries of Bohemia, and he took pleasure in saying to a friend: "Shakespeare in a play brought in a number of men saying they had suffered shipwreck in Bohemia, where is no sea near, by some hundred miles." Jonson's personal characteristics partly explain why he placed himself in opposition to the spirit of the age. He was extremely combative. It was almost a necessity for him to quarrel with some person or with some opinion. He killed two men in duels, and he would probably have been hanged, if he had not pleaded benefit of clergy. For the greater part of his life, he was often occupied with pen and ink quarrels. When James I. ascended the throne in 1603, Jonson soon became a royal favorite. He was often employed to write masques, a peculiar species of drama which called for magnificent scenery and dress, and gave the nobility the opportunity of acting the part of some distinguished or supernatural character. Such work brought Jonson into intimate association with the leading men of the day. It is pleasant to think that he was a friend of Shakespeare. Jonson's pithy volume of prose, known as _Discoveries made upon Men and Matter_, contains his famous criticism on Shakespeare, noteworthy because it shows how a great contemporary regarded him, "I loved the man and do honor his memory on this side idolatry as much as any." Few English writers have received from a great rival author such convincing testimony in regard to lovable personality. [Illustration: BEN JONSON'S TOMB IN WESTMINSTER ABBEY.] In 1616, the year in which Shakespeare died, Jonson was made poet laureate. When he died in 1637, he was buried in an upright position in Westminster Abbey. A plain stone with the unique inscription, "O Rare Ben Jonson," marks his grave. Plays.--Ben Jonson's comedies are his best dramatic work. From all his plays we may select three that will best repay reading: _Volpone, The Alchemist_, and _The Silent Woman_. _Volpone_ is the story of an old, childless, Venetian nobleman whose ruling passion is avarice. Everything else in the play is made tributary to this passion. The first three lines in the first act strike the keynote of the entire play. Volpone says:--