Halleck's New English LiteratureHalleck, Reuben Post
History
Halleck's New English Literature
Halleck, Reuben Post
English literature -- History and criticism
Chaucer's journey to Italy next turned his attention to Italian
models. A study of these was of especial service in helping him to
acquire that skill which enabled him to produce the masterpieces of
his third or English period. This study came at a specially opportune
time and resulted in communicating to him something of the spirit of
the early Renaissance.
The influence of Boccaccio and, sometimes, of Dante is noticeable in
the principal poems of the Italian period,--the _Troilus and Criseyde,
Hous of Fame_, and _Legende of Good Women_. The _Troilus and Criseyde_
is a tale of love that was not true. The _Hous of Fame_, an unfinished
poem, gives a vision of a vast palace of ice on which the names of the
famous are carved to await the melting rays of the sun. The _Legende
of Good Women_ is a series of stories of those who, like Alcestis, are
willing to give up everything for love. In _A Dream of Fair Women_
Tennyson says:--
"'The Legend of Good Women,' long ago
Sung by the morning star of song, who made
His music heard below;
Dan Chaucer, the first warbler, whose sweet breath
Preluded those melodious bursts that fill
The spacious times of great Elizabeth
With sounds that echo still."
In this series of poems Chaucer learned how to rely less and less on
an Italian crutch. He next took his immortal ride to Canterbury on an
English Pegasus.
General Plan of the Canterbury Tales.--People in general have always
been more interested in stories than in any other form of literature.
Chaucer probably did not realize that he had such positive genius for
telling tales in verse that the next five hundred years would fail to
produce his superior in that branch of English literature.
[Illustration: CANTERBURY CATHEDRAL.]
All that Chaucer needed was some framework into which he could fit the
stories that occurred to him, to make them something more than mere
stray tales, which might soon be forgotten. Chaucer's great
contemporary Italian storyteller, Boccaccio, conceived the idea of
representing some of the nobility of Florence as fleeing from the
plague, and telling in their retirement the tales that he used in his
_Decameron_. It is not certain that Chaucer received from the
_Decameron_ his suggestions for the _Canterbury Tales_, although he
was probably in Florence at the same time as Boccaccio.
Public-domain text, read in full here on John Shaqi.
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