Halleck's New English LiteratureHalleck, Reuben Post
History
Halleck's New English Literature
Halleck, Reuben Post
English literature -- History and criticism
In 1170 Thomas à Becket, Archbishop of Canterbury, was murdered at the
altar. He was considered both a martyr and a saint, and his body was
placed in a splendid mausoleum at the Cathedral. It was said that
miracles were worked at his tomb, that the sick were cured, and that
the worldly affairs of those who knelt at his shrine prospered. It
became the fashion for men of all classes to go on pilgrimages to his
tomb. As robbers infested the highways, the pilgrims usually waited at
some inn until there was a sufficient band to resist attack. In time
the journey came to be looked on as a holiday, which relieved the
monotony of everyday life. About 1385 Chaucer probably went on such a
pilgrimage. To furnish amusement, as the pilgrims cantered along, some
of them may have told stories. The idea occurred to Chaucer to write a
collection of such tales as the various pilgrims might have been
supposed to tell on their journey. The result was the _Canterbury
Tales_.
Characters in the Tales.--Chaucer's plan is superior to Boccaccio's;
for only the nobility figure as story-tellers in the _Decameron_,
while the Canterbury pilgrims represent all ranks of English life,
from the knight to the sailor.
The _Prologue_ to the _Tales_ places these characters before us almost
as distinctly as they would appear in real life. At the Tabard Inn in
Southwark, just across the Thames from London, we see that merry band
of pilgrims on a pleasant April day. We look first upon a manly figure
who strikes us as being every inch a knight. His cassock shows the
marks of his coat of mail.
"At mortal batailles hadde he been fiftene.
* * * * *
And of his port as meke as is a mayde.
He never yet no vileinye ne sayde
In al his lyf, un-to no maner wight.
He was a verray parfit gentil knight."
His son, the Squire, next catches our attention. We notice his curly
locks, his garments embroidered with gay flowers, and the graceful way
in which he rides his horse. By his side is his servant, the Yeoman,
"clad in cote and hood of grene," with a sheaf of arrows at his belt.
We may even note his cropped head and his horn suspended from green
belt. We next catch sight of a Nun's gracefully pleated wimple,
shapely nose, small mouth, "eyes greye as glas," well-made cloak,
coral beads, and brooch of gold. She is attended by a second Nun and
three Priests. The Monk is a striking figure:--
"His heed was balled, that shoon as any glas,
And eek his face, as he hadde been anoint.
He was a lord ful fat and in good point."
[Illustration: PILGRIMS LEAVING THE TABARD INN. _From Urry's
Chaucer._]
Public-domain text, read in full here on John Shaqi.
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