Natural history -- England -- Hampshire; Natural history -- Outdoor books
Look from these at the old stone which the earthworms have been busy
trying to bury for a century, until the lower half of the inscription
is underground; the stone which the lichen has embossed and richly
coloured; round which the grass grows so close and lovingly, and the
small creeping ivy tries to cover. This which has been added to it
is but a part of its beauty: you see that its lines are graceful,
that they were made so; that the inscription--"Here lyeth the body,"
etc.--is not cut in letters in use in newspapers and advertising
placards, and have therefore no common nor degrading associations,
but are letters of other forms, graceful, too, in their lines; and
that above the inscription there are sculptured and symbolic figures
and lines--emblems of mortality, eternal hope, and a future
life--heads of cherubs, winged and blowing on horns, and the sun and
wings; skulls and crossbones, and hour-glass and scythe; the funeral
urn and weeping-willow; the lighted torch; the heart in flames, or
bleeding, or transfixed with arrows; the angel's trumpet, the crown
of glory, the palm and the lily, the laurel leaf, and many more.
{194}
Did we think this art, or this custom, too little a thing to cherish
any longer? I cannot find any person with a word to say about it. I
have tried and the result was curious. I have invited persons of my
acquaintance into an old churchyard and begged them to look on this
stone and on this--the hard ugliness of one, an insult to the dead,
and the beauty, the pathos, of the other. And they have immediately
fallen into a melancholy silence, or else they have suddenly become
angry, apparently for no cause. But the reason probably was that
they had never given a thought to the subject, that when they had
buried someone dear to them--a mother or wife or daughter--they
simply went to the stonemason and ordered a gravestone, leaving him
to fashion it in his own way. The reason of the reason--the full
explanation of the singular fact that they, in these house-beautiful
and generally art-worshipping times, had given no thought to the
matter until it was unexpectedly sprung upon them; and that if they
had lived, say, a hundred years ago, they would have given it some
thought--this the reader will easily find out for himself.
[Sidenote: Beauty of old gravestones]
Public-domain text, read in full here on John Shaqi.
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