Natural history -- England -- Hampshire; Natural history -- Outdoor books
Here, by the Itchen, where we have all four buntings, I find that the
reed-bunting--called black-head or black-top--is, after the cirl, the
latest singer. He continues when, towards the end of August, the
corn-bunting and yellowhammer become silent. He is the poorest
singer of the bunting tribe, the first part of his song being like
the chirp of an excited sparrow, somewhat shriller, and then follows
the long note, shrill too, or sibilant and tremulous. It is more
like the distressful hunger-call of some young birds than a
song-note. A reedy sound in a reedy place, and one likes to hear it
in the green valley among the wind-rustled, sword-shaped leaves and
waving spears of rush and aquatic grass. So fond is he of his own
music that he will sing even when moulting. I was amused one day
when listening to a reed-bunting sitting on a top branch of a dwarf
alder tree in the valley of Ovington, busily occupied in preening his
fluffed-out and rather ragged-looking plumage, yet pausing at short
intervals in his task {279} to emit his song. So taken up was he
with the feather-cleaning and singing, that he took no notice of me
when I walked to within twenty-five yards of him. By-and-by, in
passing one of his long flight-feathers through his beak it came out,
at which he appeared very much surprised. First he raised his head,
then began turning it about this way and that, as if admiring the
feather he held, or trying to get a better sight of it. For quite a
minute he kept it, forgetting to sing, then in turning it about he
accidentally dropped it. Bending his head down, he watched its slow
fall to the grass below very intently, and continued gazing down even
after it was on the ground; then, pulling himself together, he
resumed the feather-preening task, with its musical interludes.
The worst day during the bad weather when the young cirl buntings
left the nest brought the wintry spell to an end. A few days of such
perfect weather followed that one could wish for no higher good than
to be alive on that green earth, beneath that blue sky. One could
best appreciate the crystal purity and divine blueness of the immense
space by watching the rooks revelling on high in the morning
sunshine, looking in their blackness against the crystalline blue
like bird-figures with outspread, motionless wings, carved out of
anthracite coal, and suspended by invisible wires in heaven. You
could watch them, a numerous company, moving upward in wide circles,
the sound of their voices coming fainter and fainter back to earth,
until at that vast height they seemed no bigger than humble-bees.
{280}
[Sidenote: The oak in August]
Public-domain text, read in full here on John Shaqi.
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