=The Semicircular Windows.=--It is calculated that, by putting
stained glass in the eight semicircular windows, the amount of light
admitted has been diminished almost exactly one-eighth; in other
words, the result is the same as if one of the eight had been quite
closed up. The loss, of course, is hardly appreciated in a room
sufficiently supplied with light from such a number of sources.
The windows are double, with about four inches between the two
sashes. The glass used for the outside is plain, but of different
degrees of translucency, according as it is necessary to prevent
the entrance of direct sunshine, which, if admitted, would be
disagreeable to the occupant of the room and would distort the
desirable even effect of the stained glass within. Thus, in the east
and west, ribbed skylight glass is used; in the southeast, south, and
southwest, ribbed and ground glass; while on the other three sides,
where the sun never comes, the glass is left perfectly clear.
The cartoons for the stained glass were made by Mr. Schladermundt,
after designs prepared by the architect, Mr. Casey. The ground is a
crackled white, leaded throughout into small, square panes. In order
to give an effect of boldness and strength, the windows are divided
vertically by heavy iron bars. The design is surrounded by a richly
colored border of laurel, combined with rosettes and Roman fasces.
At the top, in the middle of each window, is the great seal of the
United States, four feet high, surmounted by the American eagle,
whose outstretched wings measure eight feet from tip to tip. To the
right and left, following the curve of the window, are the seals of
the States and Territories, three on a side, or six in each window,
so that forty-eight--excluding only Alaska and Indian Territory--are
contained in the eight windows. Torches alternate with the seals, and
the fasces are introduced at the bottom.
Public-domain text, read in full here on John Shaqi.
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