The ceiling of the Lantern is sky and air, against which, as a
background, floats the beautiful female figure representing the
Human Understanding, lifting her veil and looking upward from
Finite Intellectual Achievement (typified in the circle of figures
in the collar) to that which is beyond; in a word, Intellectual
Progress looking upward and forward. She is attended by two cherubs,
or geniuses; one holds the book of wisdom and knowledge, the other
seems, by his gesture, to be encouraging those beneath to persist in
their struggle towards perfection.
The decoration of the collar consists of a ring of twelve seated
figures, male and female, ranged against a wall of mosaic patterning.
They are of colossal size, measuring, as they sit, about ten feet
in height. They represent the twelve countries, or epochs, which
have contributed most to the development of present-day civilization
in this country. Beside each is a tablet, decorated with palms,
on which is inscribed the name of the country typified, and below
this, on a continuous banderole or streamer, is the name of some
chief or typical contribution of that country to the sum of human
excellence. The figures follow each other in chronological order,
beginning, appropriately enough, at the East, the East being the
cradle of civilization. The list is as follows: _Egypt_, typifying
Written Records; _Judea_, Religion; _Greece_, Philosophy; _Rome_,
Administration; _Islam_, Physics; _The Middle Ages_, Modern
Languages; _Italy_, the Fine Arts; _Germany_, the Art of Printing;
_Spain_, Discovery; _England_, Literature; _France_, Emancipation;
and _America_, Science.
[Illustration: BACON. BY JOHN J. BOYLE.]
Public-domain text, read in full here on John Shaqi.
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