In the tympanum of _The Sciences_ the central figure is Astronomy.
She holds a pair of compasses, and leans forward on her throne to
make measurements upon the celestial globe which a genius holds up
before her. Another genius to the right looks through a telescope.
To the left of the panel are Physics and Mathematics. Physics holds
an instrument designed to show the law of the balance of different
weights at different distances from the point of support. Mathematics
has an abacus, or counting-frame, with which she is instructing a
little genius in the elements of figures. The beads of the abacus are
so placed that they give the date, “1896”--the year the picture was
painted. Beside her, in the extreme left-hand corner, are various
figures illustrating plane and solid geometry. The former kind are
so arranged, as the visitor will see by looking carefully, that they
form all the letters of the artist’s name--KENYON COX. On the other
side of the throne are Botany, bearing a young oak tree, and wearing
a green and white figured gown; and Zoölogy, a nude figure holding
out her hand to caress a magnificent peacock perched on the coping
of the balustrade. In the corner are a shell and various kinds of
minerals, for Conchology, Mineralogy, Geology, and so forth.
On tablets over the doors and windows are the names of men
distinguished in Science and Art. Those representing Art are Wagner,
Mozart, Homer, Milton, Raphael, Rubens, Vitruvius, Mansard, Phidias,
and Michael Angelo. The Scientists are Leibnitz, Galileo, Aristotle,
Ptolemy, Dalton, Hipparchus, Herschel, Kepler, La Marck, and
Helmholtz.
THE PAVILION OF THE DISCOVERERS.
The Southwest Pavilion--or the Pavilion of the Discoverers, as it may
better be called, from the subject of the paintings with which it is
ornamented--opens immediately from the Southwest Gallery. The domed
ceiling is richly coffered and profusely ornamented with gilding,
except for a large central space in the form of a disc, which
contains a painted decoration. Below the dome are four tympanums,
also occupied by paintings. The walls are ornamented with paired
pilasters, bearing a narrow frieze decorated with lions’ heads and
festoons of garlands.
Public-domain text, read in full here on John Shaqi.
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