In the second tympanum, Discovery, crowned with a laurel wreath of
gold and wearing a leather jerkin, sits on her throne, holding a
ship’s rudder in her right hand, and with her left upon a globe of
the earth, which is supported on her knee. The rude map of America,
which appears on it, is copied from a portion of a mappemonde, or
chart of the world, which was discovered a few years ago in England,
and which has been ascribed to Leonardo da Vinci. It dates from the
second decade of the sixteenth century.[12] The two seated figures
to the right and left are clad in armor; the first holds a sword
and “Jacob’s staff,” or cross staff, a device used by the early
navigators instead of a quadrant or sextant to determine the altitude
of the sun and stars. The figure to the left, with paddle and chart,
points towards the distance with outstretched arm, and turns to her
companions to beckon them onwards. The two shields at the foot of
the throne bear an astrolabe, an obsolete instrument used for the
same purpose as the cross staff. At either end of the tympanum, a
mermaid, with a seashell for cap, and with seaweed twined about her
body, invites the voyagers with strings of pearls and coral. Lists of
names occur at the left and right, surmounted, as before, with the
naval crown. The first list is: Solis, Orellana, Van Horn, Oieda,
Columbus, Pinzon; the second, Cabot, Magellan, Hudson, Behring,
Vespucius, Balboa.
In the third tympanum, that of _Conquest_, the idea expressed in
the central group is that of the proud tranquillity which follows
triumph in battle. The figures carry the insignia of victory. The one
seated upon the throne has pushed back her casque and lets her left
hand hang idly over the crosspiece of the sword. But there is still
danger of a renewal of the struggle; the right hand rests clenched
upon an arm of the throne, the armor has not yet been laid aside, and
the sword not yet sheathed. The figures to the left and right are
in a like attitude of readiness, though they carry in addition to
their swords the emblems of peace--the first, representing Southern
Conquests, a sheaf of palms; and the second, representing Northern
Conquests, chaplets of oak-leaves, which wreathe her casque and
sword. The two shields bear a heraldic representation of the Pillars
of Hercules, with the motto _Ne plus ultra_ twined about them, and
between them, in the distance, the setting sun--perhaps an ironical
allusion to the ancient idea which set the limits of the earth
at the Straits of Gibraltar, or perhaps simply an adaptation and
extension of it to the new conditions of knowledge. At the ends of
the tympanum the arms of England and Spain are again introduced, as
significant of the general division of North and South America into
English and Spanish territory. The names to the left are: Pizarro,
Alvarado, Almagro, Hutten, Frontenac, De Soto; to the right, Cortes,
Standish, Winslow, Phipps, Velasquez, De Leon. Over each group is the
Public-domain text, read in full here on John Shaqi.
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