3. THE LITERATURE.--The literary history of ancient Egypt presents a remarkable exception to that of any other country. While the language underwent various modifications, and the written characters changed, the literature remained the same in all its principal features. This literature consists solely of inscriptions painted or engraved on monuments, or of written manuscripts on papyrus buried in the tombs or beneath the ruins of temples. It is so deficient in style, and so unsystematic in its construction, that it has taxed the labors of the ablest critics for the last fifty years to construct a whole from its disjointed materials, and these are so imperfect that many periods of Egyptian history are complete literary blanks. In the great period of the Rameses, novels or works of amusement predominated; under the Ptolemies, historical records, and in the Coptic or Christian stage, homolies and church rituals prevailed; but through every epoch the same general type appears. Notwithstanding these deficiencies, however, Egypt offers a most attractive field for the archaeologist, and new discoveries are constantly adding to our knowledge of this interesting country. 4. THE MONUMENTS.--The monuments of Egypt are religious, as the temples, sepulchral, as the necropoles, or triumphal, as the obelisks. The temples were the principal structures of the Egyptian cities, and their splendid ruins, covered with inscriptions, are among the most interesting remains of antiquity. Life after death, the leading idea of the religion of Egypt, was expressed in the construction of the tombs, so numerous in the vicinity of all the large cities. These necropoles, excavated in the rocks or hillsides, or built within the pyramids, consist of rows of chambers with halls supported by columns, which, with the walls, are often covered with paintings, historical or monumental, representing scenes from domestic or civil life. The great pyramids were probably built for the sepulchres of kings and their families, and the smaller ones for persons of inferior rank. The most magnificent of the triumphal monuments are the obelisks, gigantic monoliths of red or white granite, some of which are more than two hundred feet high, covered with inscriptions, and bearing the image of the triumphant king, painted or engraved. The splendid obelisk in the Place de la Concorde, at Paris, celebrates the glories of Rameses II. The obelisk now in New York is one of a pair erected at Heliopolis, before the Temple of the Sun, about 1600 B.C. In the reign of Augustus both were removed to Alexandria, and were known in modern times as Cleopatra's Needles. One was presented by the Khedive to the city of London in 1877, and the other to the city of New York the same year. The shaft on the latter bears two inscriptions, one celebrating Thothmes III., and the other Rameses II.