Handbook of Universal Literature, From the Best and Latest AuthoritiesBotta, Anne C. Lynch (Anne Charlotte Lynch)
History
Handbook of Universal Literature, From the Best and Latest Authorities
Botta, Anne C. Lynch (Anne Charlotte Lynch)
Literature -- History and criticism
Though founded on the same ideas as most of the religions of the East, and
particularly of Asia Minor, the earliest religion of the Greeks was richer
and more various in its forms, and took a loftier and a wider range. The
Grecian worship of nature, in all the various forms which it assumed,
recognized one deity, as the highest of all, the head of the entire
system, Zeus, the god of heaven and light; with him, and dwelling in the
pure expanse of ether, is associated the goddess of the earth, who, in
different temples, was worshiped under different names, as Hera, Demeter,
and Dione. Besides this goddess, other beings are united with the supreme
god, who are personifications of certain of his energies powerful deities
who carry the influence of light over the earth, and destroy the opposing
powers of darkness and confusion as Athena, born from the head of her
father, and Apollo, the pure and shining god of light. There are other
deities allied with earth and dwelling in her dark recesses; and as life
appears not only to spring from the earth, but to return whence it sprung,
these deities are, for the most part, also connected with death; as
Hermes, who brings up the treasures of fruitfulness from the depths of the
earth, and Cora, the child, now lost and now recovered by her mother,
Demeter, the goddess both of reviving and of decaying nature. The element
of water, Poseidon, was also introduced into this assemblage of the
personified powers of nature, and peculiarly connected with the goddess of
the earth; fire, Hephaestus, was represented as a powerful principle
derived from heaven, having dominion over the earth, and closely allied
with the goddess who sprang from the head of the supreme god. Other
deities form less important parts of this system, as Dionysus, whose
alternate joys and sufferings show a strong resemblance to the form which
religious notions assumed in Asia Minor. Though not, like the gods of
Olympus, recognized by all the races of the Greeks, Dionysus exerted an
important influence on the spirit of the Greek nation, and in sculpture
and poetry gave rise to bold flights of imagination, and to powerful
emotions, both of joy and sorrow.
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