Handbook of Universal Literature, From the Best and Latest AuthoritiesBotta, Anne C. Lynch (Anne Charlotte Lynch)
History
Handbook of Universal Literature, From the Best and Latest Authorities
Botta, Anne C. Lynch (Anne Charlotte Lynch)
Literature -- History and criticism
3. THE CYCLIC POETS AND THE HOMERIC HYMNS.--The poems of Homer, as they
became the foundation of all Grecian literature, are likewise the central
point of the epic poetry of Greece. All that is most excellent in this
line originated from them, and was connected with them in the way of
completion or continuation. After the time of Homer, a class of poets
arose who, from their constant endeavor to connect their poems with those
of this master, so that they might form a great cycle, were called the
Cyclic Poets. They were probably Homeric rhapsodists by profession, to
whom the constant recitation of the ancient Homeric poems would naturally
suggest the idea of continuing them by essays of their own. The poems
known as Homeric hymns formed an essential part of the epic style. They
were hymns to the gods, bearing an epic character, and were called
_proemia_, or preludes, and served the rhapsodists either as introductory
strains for their recitation, or as a transition from the festivals of the
gods to the competition of the singers of heroic poetry.
4. POEMS OF HESIOD.--Nothing certain can be affirmed respecting the date
of Hesiod; a Boeotian by birth, he is considered by some ancient
authorities as contemporary with Homer, while others suppose him to have
flourished two or three generations later. The poetry of Hesiod is a
faithful transcript of the whole condition of Boeotian life. It has
nothing of that youthful and inexhaustible fancy of Homer which lights up
the sublime images of a heroic age and moulds them into forms of
surpassing beauty. The poetry of Hesiod appears struggling to emerge out
of the narrow bounds of common life, which he strives to ennoble and to
render more endurable. It is purely didactic, and its object is to
disseminate knowledge, by which life may be improved, or to diffuse
certain religious notions as to the influence of a superior destiny. His
poem entitled "Works and Days" is so entirely occupied with the events of
common life, that the author would not seem to have been a poet by
profession, but some Boeotian husbandman whose mind had been moved by
circumstances to give a poetical tone to the course of his thoughts and
feelings. The unjust claim of Perses, the brother of Hesiod, to the small
portion of their father's land which had been allotted to him, called
forth this poem, in which he seeks to improve the character and habits of
Perses, to deter him from acquiring riches by litigation, and to incite
him to a life of labor, as the only source of permanent prosperity. He
points out the succession in which his labors must follow if he determines
to lead a life of industry, and gives wise rules of economy for the
management of a family; and to illustrate and enforce the principal idea,
he ingeniously combines with his precepts mythical narratives, fables, and
descriptions. The "Theogony" of Hesiod is a production of the highest
importance, as it contains the religious faith of Greece. It was through
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