Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
FAITH AND VISION
148. Rock of Ages, cleft for me _Augustus M. Toplady_, 1740-78
Few hymns are more generally familiar or more treasured in the
affections of all ranks of people than this. It appeared first in the
_Gospel Magazine_, edited by Toplady, March, 1776, at the end of an
article entitled, “A remarkable calculation Introduced here for the sake
of the Spiritual Improvements subjoined. Questions and answers relating
to the National Debt.” The article points out that the national debt is
so large that the government will never be able to pay it off. The
author then proceeds to calculate the number of sins each human being
commits. Figuring the rate to be one per second, he arrives at this:
Our dreadful account stands as follows: At ten years old each of us is
chargeable with 315 millions and 360,000 sins. At twenty, with 630
millions and 720,000. At thirty with 946 millions and 80,000.... At
eighty, with 2,522 millions and 880,000.
The conclusion is that the debt can only be paid by the blood of Christ.
The hymn follows his “calculation,” under the heading, “A living and
dying Prayer for the Holiest Believer in the World.”
For 45 years after its publication, the hymn had little acceptance in
England. Its merits then became recognized, and it became very popular.
In the last century and a quarter it has had world-wide use, in a form
altered somewhat from the original. The hymn has been criticized for its
mixed metaphors (“cleft rock,” “riven side,” “to thy cross I cling,” “to
the fountain fly”), for its false rhymes, and its over-emphasis upon sin
obsession; but it has certain heart-piercing qualities which override
all its faults. Like other hymns of the first rank (e.g., “Jesus Lover
of my soul,” “Lead kindly light,” and “Nearer my God to Thee”) it voices
the universal need of divine help. Professor Saintsbury, a literary
critic, says of this hymn: “Every word, every syllable, in this really
great poem has its place and meaning.”
The central imagery of the hymn is found in the following Scripture
passages: Ex. 33:22: “While my glory passeth by, I will put thee in a
cleft of the rock, and will cover thee with my hand while I pass by”;
Isa. 26:4: “Trust ye in the Lord for ever: for in the Lord Jehovah is
the rock of ages” (margin); I Cor. 10:4: “and that Rock was Christ.”
A picturesque story, which originated about 1850, had it that Toplady
composed the hymn while he was sheltering from a thunder storm in a
great cleft of a limestone rock, some twelve years before the
publication of the hymn. The story is without foundation. Toplady was
fascinated by the thought of Christ as a rock and in a sermon on Isa.
42:11: “Let the inhabitants of the rock sing,” he said: “Chiefly may
they sing who inhabit Christ the spiritual Rock of Ages. He is a Rock in
three ways: as a Foundation to support, a Shelter to screen, and a
Fortress to protect.”
Public-domain text, read in full here on John Shaqi.
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