Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
The hymn strikes a much-needed note regarding the serious significance
of this life. Thomas Carlyle expressed the same thought in his old age
when he said: “The older I grow, and now I stand upon the brink of
eternity, the more comes back to me the sentence in the catechism which
I learned when a child, and the fuller and deeper its meaning becomes:
‘What is the chief end of man? To glorify God and enjoy Him forever.’”
For comments on Charles Wesley see Hymn 6.
_MUSIC._ BOYLSTON was composed by Lowell Mason and named after one of
the towns in his native state. It appeared in _The Choir_, 1832, set to
“Our days are as the grass.” The tune is widely used with “Blest be the
tie that binds.”
For comments on Lowell Mason, see Hymn 12.
215. Take my life and let it be _Frances R. Havergal_, 1836-79
One of the finest hymns of consecration and service. It has been
translated into many languages, including Russian, and many of Africa
and Asia.
The author’s own story of how this hymn was written after her visit in a
certain home throws a vivid light on her evangelical zeal:
There were ten persons in the house, some unconverted and long prayed
for, some converted but not rejoicing Christians. He gave me the
prayer, “Lord give me ALL in this house.” And He just did. Before I
left the house everyone had got a blessing. The night of my visit,
after I had retired, the governess asked me to go to the two
daughters. They were crying. Then and there both of them trusted and
rejoiced. I was too happy to sleep, and passed most of the night in
praise and renewal of my own consecration; and these little couplets
formed themselves and chimed in my heart one after the other, till
they finished with “Ever, ONLY, ALL for Thee!”
The hymn appears here unaltered from the original.
For further comments on Frances Havergal see Hymn 126.
_MUSIC._ HENDON. This tune appeared first in America in _Carmina Sacra_,
1841, edited by Lowell Mason. The composer, Henri Abraham César Malan,
1787-1864, born in Geneva, Switzerland, was a man of many interests. He
was a well educated minister, a blacksmith, carpenter, printer, and
artist. He had a burning zeal for the conversion of souls. Convinced
that the national church stood in need of reform, he aroused much
opposition. After preaching an unorthodox sermon at the College of
Geneva, he was dismissed from his regentship at the college and was
finally driven from the state church. He then built a chapel in his own
garden and preached there for 43 years, attracting overflowing crowds
and becoming widely known throughout Belgium, France, England, and
Scotland for his evangelism. He wrote more than 1,000 hymns and set
tunes to them, a remarkable achievement. As the originator of the modern
hymn movement in the French Reformed Church, Malan has a permanent place
in French Hymnody.
216. My Jesus, I love Thee _William Rolf Featherstone_, 1842-78
Public-domain text, read in full here on John Shaqi.
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