Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
_MUSIC._ SICILIAN MARINERS is a familiar tune of unknown origin which
has been set to various hymns, including the Latin “_O Sanctissima, O
Purissima_,” and the German “_O du fröliche, o du selige_.” The tune,
sometimes called “Sicily,” is not known in Sicily today.
GOD THE FATHER—HIS MAJESTY AND POWER
46. Mighty God, while angels bless Thee _Robert Robinson_, 1735-90
The author of this hymn had a unique career. Robert Robinson, born in
Norfolk, England, of lowly parentage, was left fatherless at eight to be
the sole support of his widowed mother. At fourteen he was apprenticed
to a barber in London who frequently reprimanded him for giving too much
time to the reading of books and too little to business. At seventeen he
heard the great evangelist Whitefield preach a sermon on Matthew 3:7 and
decided to dedicate his life to God. His complete conversion he dates a
few years later, 1755. He began preaching under the Methodists but soon
developed independent views and in 1759 he received adult baptism and
united with the Baptists. Shortly afterwards he became the pastor of a
small Baptist church in the university town of Cambridge. He was a
gifted scholar, and though he had little formal education, he held the
respect of Cambridge students, notwithstanding the taunts of university
professors. Serving a small and poor congregation and being without
finances to support his large family, he helped himself by engaging in
farming and carrying on business as a coal and corn merchant while
preaching twice a Sunday and holding evangelistic meetings during the
week. In this he succeeded in a very remarkable measure, aided by the
fact that he knew the soil and the tillers of the soil and was gifted
with the sense of humor and a Spurgeon-like wit. Besides this hymn, he
also wrote the well-known hymn, “Come, Thou fount of every blessing”
(189).
_MUSIC._ CRUCIFER, originally known as “Bethany,” was composed by Henry
Smart for “Jesus, I my cross have taken.” The composer favored unison
singing of this melody, at moderate tempo. Most congregations will find
the pitch range in the melody too wide for best results in unison
singing.
Henry Smart, 1813-1879, turned from the legal profession to devote his
life to music. Though largely self-taught, he became one of England’s
distinguished organists and builder of organs. He suffered from poor
eyesight and the last fourteen years of his life he was totally blind,
but he kept on playing and composing for he had a very retentive memory
and possessed a rare skill in extempore playing. Smart was a strong
advocate of congregational singing, but favored the unison singing of
melodies, and had a decided prejudice against what he considered unduly
fast congregational singing.
47. I sing the mighty power of God _Isaac Watts_, 1674-1748
Public-domain text, read in full here on John Shaqi.
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