Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
A hymn of praise, magnifying the power, wisdom, goodness, and
omnipresence of God as revealed in creation. It appeared first in Watt’s
_Divine and Moral Songs for the Use of Children_ where it was entitled,
“Praise for Creation and Providence.” The original has eight stanzas.
For comments on Watts see No. 11.
_MUSIC._ ELLACOMBE is a cheerful, unpretentious tune that deserves to be
better known. The source designated is _Gesangbuch der Herzogl_
published in 1784, but some of our best authorities are content to leave
its exact origin in doubt. It found its way into English hymnals soon
after it was published in _Vollständige Sammlung der gewöhnlichen
Melodien zum Mainzer Gesangbuche_, by X. L. Hartig, in 1833.
MAKER OF HEAVEN AND EARTH
48. This is my Father’s world _Maltbie D. Babcock_, 1858-1901
The original has sixteen stanzas, each beginning with the words “This is
my Father’s world,” a good slogan to begin and end the day. It appeared
in the author’s _Thoughts for Every Day Living_, a book of religious
verse. The hymn expresses a confident attitude toward life and a buoyant
faith in God.
Maltbie D. Babcock, prominent Presbyterian minister, was born in
Syracuse, New York, graduated from Syracuse University and Auburn
Seminary and then began his first pastorate at the First Presbyterian
Church, Lockport, N. Y. His second pastorate was at Brown Memorial
Church, Baltimore, where he was popular with the students at Johns
Hopkins University. He then received a call to the Brick Church, New
York City, where he became the successor of Henry van Dyke. In his
student days he was known as a fine student, a great athlete, a good
musician, and a friend to all. He loved young people and during his
ministry they turned to him for counsel.
_MUSIC._ The tune TERRA BEATA is simple, light in movement, and easy to
sing. It was composed by Franklin Sheppard, 1852-1930, a Philadelphia
business man, Presbyterian layman, and friend of Dr. Babcock. Sheppard
was also an accomplished musician. He modestly attributed the tune to an
old English folk melody, but it is known now that he himself was the
composer. He named the tune “Terra Beata,” happy or blessed earth.
The arrangement in the _Hymnary_, known as “Terra Patris,” is by Edward
Shippen Barnes, a contemporary American organist and composer. His
harmonization is a little more difficult to sing but also more
interesting than the original by Sheppard.
49. Let the whole creation cry _Stopford A. Brooke_, 1832-1916
The hymn is an imitation of Psalm 148. It is a universal call to praise
rather than an expression of praise, hence it is addressed not to God
but to his creation everywhere, as a call to worship God. The hymn is
characterized by literary grace, simplicity, and tenderness, and is
included in many modern hymnals.
Public-domain text, read in full here on John Shaqi.
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