Vauxhall Gardens, 94, 100, 101, 107, 187 Venice, 40, 42 _Vierge d'Martyre_, 48 Vinci, 84 Viola, 160, 161 Violoncellist, 75 Violoncello, 160 _Violette marine_, 160 n. _Virtuoso_ powers, 40, 49 Vivaldi, 168 Vocal _ensemble_ pieces, 130 Vocal ornamentation, 128, 129 W Wagner, 142 Walpole, 81 Walsh, 145, 149, 181 n. Water music, 68 n., 158, 188 Weissenfels, 3 Westminster Abbey, 107 Witchcraft, 13 Z Zachau, 5, 15, 113 _Zadock the Priest_, 109 n. Zappi, 43 THE MUSIC LOVER'S LIBRARY A series of small books on various musical subjects written in a popular style for the general reader. EDITOR: A. EAGLEFIELD HULL, MUS. DOC. (OXON.) Each about 200 pages. 1. SHORT HISTORY OF MUSIC. By the EDITOR. 2. SHAKESPEARE: HIS MUSIC AND SONG. By A. H. MONCUR-SIME. 3. THE UNFOLDING OF HARMONY. By CHARLES MACPHERSON, F.R.A.M., Sub-Organist St. Paul's Cathedral. 4. THE STORY OF MEDIÆVAL MUSIC. By R. R. TERRY, Mus. Doc. (Dublin), Director of Music at the pro-Cathedral, Westminster. 5. MUSIC AND RELIGION. By W. W. LONGFORD, D.D., M.A. 6. MODERN MUSICAL STYLES. By the EDITOR. 7. ON LISTENING TO AN ORCHESTRA. By M. MONTAGU-NATHAN. 8. EVERYMAN AND HIS MUSIC. By P. A. SCHOLES. 9. MUSIC AND ÆSTHETICS. By J. B. MCEWEN, M.A., F.R.A.M. 10. THE VOICE IN SONG AND SPEECH. By GORDON HELLER. 11. DESIGN OR CONSTRUCTION IN MUSIC. By the EDITOR. KEGAN PAUL, TRENCH, TRUBNER & CO., LTD., LONDON PRINTED BY WM. BRENDON AND SON, LTD. PLYMOUTH, ENGLAND * * * * * These typographical errors were corrected by the text transcriber: constituted for it a model for emulatation=>constituted for it a model for emulation Hinweg, du Dornen schwangre Krone!=>Hinweg, du Dornen schwangere Krone! his voice suberbly depicted=>his voice superbly depicted George Moffat=>Muffat [Muffat, Georg (1653-1704)] Vivaldi's influence in Germany on a Granpuer=> Vivaldi's influence in Germany on a Graupnuer [Graupner (Christoph, 1683-1760)] _Te deum_ said to be by Vrio.=>_Te deum_ said to be by Urio. [Urio, Francesco Antonio, 1631-1719] Domenio Scarlatti=>Domenico Scarlatti Andimollo, Andimolo=>Ademollo Christoph Bernhart, pupil of Schütz=>Christoph Bernhard, pupil of Schütz Bernhardt, 16=>Bernhard, 16 He stayed at Dusseldorf with the Elector=>He stayed at Düsseldorf with the Elector Locatalli and Vivaldi came under the influence of the Italian Opera.=>Locatelli and Vivaldi came under the influence of the Italian Opera. of Locatalli (Op. 7, 1741) was named _Il pianto d'Arianna_.=>of Locatelli (Op. 7, 1741) was named _Il pianto d'Arianna_. (1890 in the _Vierteljahrsschrift für Musikwissenfchaft_)=>(1890 in the _Vierteljahrsschrift für Musikwissenschaft_) Abbé Prevost=>Abbé Prévost Reinhärd Keiser=>Reinhard Keiser Max Seifiert: Haendels Verhältnis zu Tonwerken ælterer deutscher Meister=>Max Seiffert: Haendels Verhältnis zu Tonwerken ælterer deutscher Meister _Siroë_, 81=>_Siroé_, 81 Pratelino, 38=>Pratolino, 38