Handicaps of ChildhoodBruce, H. Addington (Henry Addington)
Science
Handicaps of Childhood
Bruce, H. Addington (Henry Addington)
Child development; Education
"Ever since my boyhood," he related, "I have fainted at seeing blood. Now
I feel weak and dizzy, and sometimes I faint outright, at anything which
merely brings into my mind the thought of blood. I am afraid to talk to
certain people because they are likely to speak about accidents which make
me think of blood. The sight of a man who looks like a doctor suggests an
operation, and at once I feel faint. On one occasion I fainted away while
my blood pressure was being taken. It was not that I was afraid of having
my blood pressure taken; it was simply that the word 'blood' brought on
the usual attack. You do not appreciate the difficulty I have in telling
you all this. Every time I mention the word to you I have to get a grip on
myself. I fear I must seem very weak and foolish, but I cannot overcome
the horror I feel. Unless you help me, I do not know what I shall do. I
cannot go on this way indefinitely."
In answer to Doctor Brill's questions, he insisted nothing had occurred
in his life that could give rise to his "phobia," or morbid dread of
blood. He had been in no bad accident, had undergone no serious surgical
operation, had witnessed no sanguinary scenes of any sort.
"Nevertheless," Doctor Brill assured him, "there is a logical reason for
your abnormal fear. It is evidently buried deep in your mind; but there
are ways of getting at it, and get at it we must."
Psychological analysis, patiently carried on for many days, ultimately
brought the truth to light. His phobia, it appeared, had its real starting
point in early childhood, and, not least, in certain sensational fairy
stories read to him by a nurse when he was quite young--stories which he
himself continued to read at a later age.
"These bloody and horrible stories," to quote Doctor Brill, "made a strong
impression upon him. He would form fancies about them on going to sleep at
night, substituting himself for the hero."
"Bluebeard" was one story that especially impressed him. Another was a
charming tale about a false princess who was rolled in a barrel, into
which long pointed spikes had been driven.
As he grew older, there had been the usual fading from memory of
these stories and the imaginings to which they had given rise. But,
subconsciously, they had never been forgotten, and out of them there had
gradually developed the obsessive and seemingly inexplicable dread of
blood.
Public-domain text, read in full here on John Shaqi.
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