Panna Yadviga was what is called a pretty young lady; she had black hair, blue eyes, a complexion like milk, and besides wore a dress made with wonderful care, neat and exquisite; light came from it and added to her beauty. Her maiden form was outlined charmingly, as if floating along in the air. In one hand she held a parasol, in the other her dress, from under which was visible the edge of her white petticoat and her shapely, small feet, enclosed in Hungarian boots. Pan Victor, who walked at her side, though he had an immense curling forelock of light color, and a beard which he was just letting out, looked also like a picture. This couple were radiant with youth, health, gladness, happiness; and besides there was evident in both that higher, holiday life, a life of winged flights, not only in the external world, but in the world of thought, the world of broader desires, as well as broader ideas, and at times in the golden and shining paths of imagination. Among those cabins, and compared with children of the village peasants, and all that common surrounding, they seemed like beings from another planet. It was even pleasant to think that there was no bond, at least no spiritual bond, between that splendid, that developed and poetical couple, and the prosaic life of the village, full of gray reality, and half animal. They passed on, side by side, and conversed of poetry and literature as ordinarily a polite cavalier and a polite lady do. Those people in homespun, those peasants, those women, did not understand even their words and their language. It was dear to think of it!--confess that to me, O ye petty nobility! In the conversation of this splendid couple there was nothing which had not been heard a hundred times before. They flitted from book to book, as butterflies flit from one flower to another. But such a conversation does not seem empty and commonplace when one is speaking with a dear little soul; when the conversation is simply the canvas on which that soul fastens the golden flowers of its own thoughts and feelings, and when, from time to time, its interior is disclosed, like the opening interior of a white rose. And, besides, such a conversation flies up in every case, like a bird in the air, to cerulean spheres, attaches itself to the world of mind, and rises like a climbing plant on a pole. There in the village inn, rude people were drinking and talking in peasant words of peasant things; but that couple were sailing in another region, and on a ship which had, as Gounod's song says,-- "Masts of ivory With a banner of satin, A rudder of pure ruddy gold." Moreover, it is proper to add that Panna Yadviga had, for purposes of self-training, turned the head of her cousin. In these conditions poetry is more frequently mentioned. "Have you read the last edition of Eli?" asked the cavalier.