From childhood Klen did nothing but listen wherever there was music.
While a stripling, he went to "blow the bellows" for Melnitski at
Ponikla. Afterward, when certain musicians came to Zagrabie, he ran away
with them. He strolled about whole years with that company. God knows
where he played, surely wherever it happened: at fairs, weddings, and in
churches; only when the company broke up, or died, did he return to
Zagrabie, as poor as a church mouse, haggard, and living like a bird on
a branch. He continued to play, sometimes for the public, sometimes for
the Lord God.
And, though people reproached him with want of stability, he became
famous. They said of him in Zagrabie and in Ponikla, "Klen, just Klen.
But when he begins to play it is no offence to the Lord, and it is a
delight to man!" Others said to him, "Fear God, Pan Klen, what devil is
sitting within thee?"
And in real fact some sort of devil was sitting in that thin wretch with
long legs. During the life of Melnitski, whenever he took the old
organist's place on great holidays and festivals, he sometimes forgot
himself thoroughly at the organ. This would happen, especially in the
middle of mass, when people in the church were absorbed in prayer, when
the censers had sent incense over the whole nave, and everything living
was singing, when Klen had let himself out, and the service, with the
ringing of great and little bells, with the odor of myrrh, amber, and
fragrant plants, with the gleaming of lights and the glitter of the
monstrance, had so elevated every soul that the whole church seemed
flying off on wings to the sky. The canon, now raising, now lowering the
monstrance, closed his eyes in ecstasy, and Pan Klen did the same in the
choir; and it seemed to him that the organ itself was playing; that
voices from the tin pipes rose like waves, flowed like rivers, rushed
like torrents, gushed like fountains, poured like rain; that they were
filling the whole church; that they were under the dome, and before the
altar, in the rolls of incense, in the light of the sun, and in the
souls of the people,--some awful and majestic like thunder, others like
the singing of people, speaking in living words, still others sweet,
fine, like falling beads, or the trilling of nightingales. And after
mass, Pan Klen came down from the choir dazed, with eyes staring, as if
after sleep; but as a simple man, he said, and thought, that he had
tired himself out. The canon in the sacristy put some money in his hand,
and some praise in his ear; then he went out among the people, who were
thronged around the church; and there they raised their hats to him,
though he lived as a lodger in Zagrabie; and they admired him beyond
measure.
Public-domain text, read in full here on John Shaqi.
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