A quarter of an hour later I ring at Suslovski's. Kazia herself opens
the door. She is comely; she has about her yet the warmth of sleep, and
also the freshness of morning, which she brought from the garden in the
folds of her muslin robe, which is pale blue in color. Her hat, just
removed, has dishevelled her hair somewhat. Her face is smiling; her
eyes are smiling; her moist lips are smiling,--she is just like the
morning. I seize her hands, kiss them, and kiss her arms to the elbows.
She bends to my ear and inquires,--
"But who loves better?"
Then she leads me by the hand to the presence of her parents. Old
Suslovski has the mien of a Roman who is sacrificing _pro patria_ the
life of his only child; the mother is dropping tears into her coffee,
for both are at coffee. But they rise at sight of us, and Papa Suslovski
speaks,--
"Reason and duty would command me to answer, no! but the heart of a
parent has its rights--if this is weakness, let God judge me!"
Here he raises his eyes in proof that he will be ready to answer, if the
tribunal of Heaven begins to write a protocol that moment. I had never
seen anything more Roman in my life, unless macaroni sold on the Corso.
The moment is so impressive that a hippopotamus might burst from
emotion. The solemnity is increased by Pani Suslovski, who crosses her
hands, and says in a tearful voice,--
"My children, should you have trouble in the world at any time take
refuge here--here!"
While saying this, she pointed to her bosom.
She could not fool me! I was not to be taken for preservation
there--there! If Kazia had offered me a similar refuge, it would have
been different. Still I am amazed at the honesty of the Suslovskis, and
my heart is filled with gratitude. I drink so many glasses of coffee
from emotion that the Suslovskis begin to cast anxious glances at the
coffee-pot and the cream. Kazia fills my cup continually; I try at the
same time to press her foot under the table. But she draws it back
always, shaking her head meanwhile, and smiling so roguishly that I know
not how I escaped jumping out of my skin.
I sit an hour and a half; but at last I must go, for in the studio Bobus
is waiting for me,--Bobus who takes drawing-lessons, and leaves me a
note each time, with a coat of arms on it, but I lose those notes
generally. Kazia and her mother conduct me to the entrance; I am angry
at that, for I want Kazia alone to conduct me. What a mouth she has!
My road leads through the city garden. It is full of people coming from
the waters. On the way I notice that all halt at sight of me. I hear
whispers, "Magorski! Magorski! that's he--" Young ladies, dressed in
muslin of every shade under which their forms are outlined wonderfully,
cast glances at me which seem as if wishing to say, "Enter! the dwelling
is ready!" What the devil, am I so famous, or what? I fail to
understand.
Public-domain text, read in full here on John Shaqi.
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