Eva consents with delight. We are as much given to talking to-day as we
were to silence last evening. I tell her of the order which I have
received, and we rejoice together. I must finish the portraits before
our departure; but "the Jews" for Kartofler I will paint in Rome. When
we return to Warsaw, I will fit up a studio, and we will live as in
heaven.
While forming these projects, I tell Eva that we will keep the
anniversary of yesterday as a holiday all our lives.
She hides her face on my shoulder, and begs me not to mention it. Then
she winds the split sleeves of her gown round my neck, and calls me her
great man. She is paler than usual; her eyes are more violet than usual,
but they are beaming with gladness.
Ah! what an ass, that having near me such a woman I was seeking for
happiness elsewhere, in a circle where I was a perfect stranger, and
which was strange to me.
What an artistic nature that of Eva! She is my betrothed, accepts the
rôle at once, and involuntarily plays the part of a young and happy
affianced. But I do not take that ill of a beloved creature, after so
many years in a theatre.
After dinner we go to Hela Kolchanovski's.
From the moment that Eva can present me as her betrothed, the minstrel
trick becomes innocent and can cause no misunderstanding between those
two ladies. In fact, when Hela heard of the engagement, she received us
with open arms, and was delighted at Eva's happiness. We laugh like
three maniacs at the "grandfather," and at that which the "grandfather"
had to hear concerning the painter Magorski. Yesterday I wanted to put a
stiletto into Ostrynski; to-day I am astonished at his cleverness.
Hela laughs so heartily that her transparent eyes are filled with tears.
Speaking in parenthesis, she is marvellous. When she inclines her head
at the end of the visit, I cannot take my eyes from it; and Eva herself
is under its spell to such a degree that during the day she imitates
unconsciously that bending of the neck and that look.
We agree that, after our return from abroad, I shall paint a portrait of
Hela; but first I shall make my Eva in Rome, if I can reproduce those
features, which are so delicate that they are almost over-refined, and
that face, so impressionable that every emotion is reflected in it as a
cloud in clear water.
But I shall succeed; why shouldn't I?
The evening "Kite" publishes untreated tales of the orders which have
come to me; my income is reckoned by thousands. That in a small degree
is the reason, perhaps, that next day I receive a letter from Kazia,
stating that she returned the ring under the influence of anger and
jealousy, but if I come and we fall at the feet of her parents, they
will let themselves be implored.
I have enough of that falling at the feet and those forgivenesses. I do
not answer. Let him fall at Suslovski's feet who wants to; let Kazia
marry Ostrynski! I have my Eva.
Public-domain text, read in full here on John Shaqi.
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