Egypt -- History -- To 332 B.C. -- Fiction; Historical fiction
To-day, fronting its white quay, a fleet of barges swung idly at anchor.
From the high poop of one, a large temple-barge by its decoration,
Merira, High Priest of Aton, was about to disembark. At the landward end
of its gangplank, which had been stretched to the well-built limestone
wall of the quay, a knot of white-robed priests of Aton bowed a fawning
welcome to their portly brother hierophant. Sixteen stalwart lay-brothers
stood expectantly beside the dignitary’s hooded-chair. Soon, Merira, High
Priest of Aton, high above the gleaming heads of his chanting followers,
vanished down the avenue of criosphinxes which led toward the massive
pylons of the imposing Aton Temple.
Parallel with the well-planted gardens and vineyards of the Temple of
the Sun ran the northern wall of Pharaoh’s new palace. The southern wall
divided it from the gardens which hedged in the home of the General
Mei, a favorite of Pharaoh. Both the grounds about the Aton Temple, the
palace, villa, and library of Pharaoh and the house of Mei, ran backward
from the Nile bank to the first rise of the low hills to the east.
Pharaoh’s gardens, both of villa, library and palace, were already
thickly planted with the rarest of native trees and vines, but myrrh,
sandalwood, dôm-palm and young Lebanus cedar from the terraces, might be
seen both in the gardens of the monarch and in those of his favorites.
At this moment the huge limestone palace glowed in the heat of
midafternoon like a piece of painted ivory. The sun’s rays turned to
fire the gold caps of the lofty cedar flag-posts which towered above the
walls.
At the end of a long avenue of young acacias one could distinguish the
archers-of-the-guard, as they paced to and fro before the palace gates. A
pair of Syrian horses, harnessed to a light chariot, pawed the sandstone
flagging before the entrance-pylon, or reared high in air, did the
iron-wristed _katana_ show the least sign of relaxing his grip upon the
gilded reins.
Queen Noferith was about to visit the hillset tomb of one of her
daughters, who had died shortly after the royal family had taken up its
residence in the new city. The royal-nurse, Thuya, and the three sisters
of the dead Princess, were already well on their way to the tomb, bearing
offerings of food, flowers and cosmetics for the use of the _ka_.
Within the interior of the palace, Pharaoh was busily engaged with that
corpulent official, the chief-scribe, Enei. At the moment Enei was
squatting cross-legged among the reeds and water-fowl painted upon the
stucco floor of the room. Upon his kilted knees lay the open sheet of a
long leather-roll already closely written in red and black with lines of
deftly inscribed hieratic.
Enei held a long reed pen in one hand; two others stuck out behind his
elephantine ears. He had been occupied all morning transcribing from
Pharaoh’s own lips the “Hymn to Aton,” which for weeks had engrossed his
fanatical master.
Public-domain text, read in full here on John Shaqi.
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