‘That is just what I think,’ said everybody; and the artist received
permission to show the bird to the people on the following Sunday. ‘They
too should hear him sing,’ the Emperor said. So they heard him, and were
as well pleased as if they had all been drinking tea; for it is tea that
makes Chinese merry, and they all said oh! and raised their
fore-fingers, and nodded their heads. But the fisherman, who had heard
the real nightingale, said, ‘It sounds very pretty, almost like the real
bird; but yet there is something wanting, I do not know what.’
The real nightingale was, however, banished the empire.
The artificial bird had his place on a silken cushion, close to the
Emperor’s bed; all the presents he received, gold and precious stones,
lay around him; he had obtained the rank and title of ‘High Imperial
Dessert Singer,’ and, therefore, his place was number one on the left
side; for the Emperor thought that the side where the heart was situated
must be the most honourable, and the heart is situated on the left side
of an Emperor, as well as with other folks.
And the artist wrote five and twenty volumes about the artificial bird,
with the longest and most difficult words that are to be found in the
Chinese language. So, of course, all said they had read and understood
them, otherwise they would have been stupid, and perhaps would have been
flogged.
Thus it went on for a year. The Emperor, the court, and all the Chinese
knew every note of the artificial bird’s song by heart; but that was the
very reason they enjoyed it so much, they could now sing with him. The
little boys in the street sang ‘Zizizi, cluck, cluck, cluck!’ and the
Emperor himself sang too--yes indeed, that was charming!
But one evening, when the bird was in full voice, and the Emperor lay in
bed, and listened, there was suddenly a noise, ‘bang,’ inside the bird,
then something sprang ‘fur-r-r-r,’ all the wheels were running about,
and the music stopped.
The Emperor jumped quickly out of bed, and had his chief physician
called; but of what use could he be? Then a clockmaker was fetched, and
at last, after a great deal of discussion and consultation, the bird was
in some measure put to rights again; but the clockmaker said he must be
spared much singing, for the pegs were almost worn out, and it was
impossible to renew them, at least so that the music should be correct.
There was great lamentation, for now the artificial bird was allowed to
sing only once a year, and even then there were difficulties; however,
the artist made a short speech full of his favourite long words, and
said the bird was as good as ever: so then, of course, it was as good as
ever.
Public-domain text, read in full here on John Shaqi.
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