Hans Holbein the Younger, Volume 1 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 1 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
John Hethe, or Heath, another member of the Painter-Stainers’ Company,
one of the painters to whom John Browne’s house was consigned, was also
in the royal employment, and was very probably one of the men engaged at
Nonsuch Palace.[553] His will is dated 1st August 1552, and in it he
leaves to his elder son, Lancelot, “my frames, tentes, stoles, patrons,
stones, mullers, with the necessaries belonging or appertaining to
Payntour’s crafte,” and to his second son, Lawrence, “all my moldes and
molded work that I served the Kinge withal,” while to each of his
apprentices he bequeathed 6_s._ 8_d._ and a grindingstone, and to his
Company 20_s._, “to make them a recreation or banket ymmediatlye after
my decease.”[554] Among the list of the things which he wished to be
left in his house so long as his wife dwelt there, he mentions “pictures
in tables,” which at first sight would seem to indicate that he
occasionally painted pictures. It is more likely, however, that these
were works by other artists, for, like his brother painter-stainers, he
appears to have been chiefly a decorator and a maker of moulded and
coloured work for house-fronts and royal residences such as Nonsuch and
other more temporary purposes, such as masques and revels, and the
ornamentation of buildings erected for particular occasions, which were
pulled down when done with, while the moulded work was preserved for
future use. The more valuable of these moulds were often kept in leather
cases made on purpose for them.
Of far greater importance as artists, and more dangerous rivals to
Holbein in his search for work in England, were the numerous Italians
and Netherlanders at that time settled here, and, in most instances,
attached to the Court. The most important group of painters of the
latter nationality were the three members of the Hoorenbault, Hornebolt,
or Hornebaud family, Gerard, Lucas, and Susanna. This family belonged to
Ghent, and from the first years of the fifteenth century had been
painters and masters of the Guild of St. Luke. The exact relationships
of the three are not entirely clear. Walpole rolled the two men into
one, and called him Gerard Luke Horneband.[555] Mr. Nichols[556]
suggests that Luke was Gerard’s elder brother, and that Susanna was
their sister. Mr. Wornum[557] regarded Gerard as the father of the other
two.
Public-domain text, read in full here on John Shaqi.
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