His fellow-worker, Bartolommeo Penni, another Florentine, may possibly have come with him to England in 1519. He was, in any case, settled in London and in the service of the King in the summer of 1522, for in a valuation of the lands and goods of the inhabitants of London of that date, he is entered in the parish of St. Martin Orgar as “Bartholomew Penny, stranger, in fees of the King yearly, £25.”[617] Penni may possibly have been a brother of Gian Francesco Penni, called Il Fattore, one of Raphael’s pupils, and of Luca Penni.[618] The latter was at work for some years at Fontainebleau under Rosso, and, according to Vasari, afterwards repaired to England; but there appears to be no foundation for this statement, Vasari having probably confused him with Bartolommeo.[619] In the royal accounts his name is always coupled with that of Toto when his quarterly salary is paid, but otherwise there is no record of him, except his patent of denization, dated 2nd October 1541, in which he is described as a subject of the Duke of Florence.[620] For some reason Penni did not sue for the letters patent for more than a year later, when the King’s style and great seal had been altered, so that by the Lord Chancellor’s command they were not to bear date until the 28th January 1543, and a fine of 13_s._ 4_d._ was inflicted. Beyond this, nothing is known about him, but the work he undertook for the Crown must have been of a similar nature to that done by Toto. [Sidenote: ROVEZZANO, MAIANO, AND BELLIN]