The East Hendred version measures 7 ft. 8 in. high by 9 ft. 9½ in. wide. At some time or other it had suffered from damage or decay on the right-hand side, and has been cut down to fit a panel, so that the figure of Lady More and her monkey and the more advanced of the two dogs, together with the window and the vase of flowers, have disappeared. With the exception of these changes and a few other unskilful repairs, this picture is in the main identical with the one at Nostell Priory, though very inferior to it. The Thorndon picture is also on canvas, and is 8 ft. 3 in. high by 11 ft. 2 in. wide. It is in a better state than the East Hendred example, and is copied from the same source, with slight changes. There is only one dog, Lady More is seated in a large scarlet arm-chair, and there are slight differences in the minor details, while Sir Thomas is shown with a moustache. Both these pictures are coarsely painted, and have little but an historical interest.[669] Wornum also describes a picture on canvas, 4 ft. 7 in. by 3 ft. 9 in., of Sir Thomas and his father, the latter in his scarlet robes, at Hutton Hall,[670] which was lent to the Tudor Exhibition, 1890 (No. 150), by Sir Henry Vane, Bt., and is apparently copied from the central portion of the Nostell Priory canvas, with the addition of a coat of arms, and two original inscriptions over the heads, and the date 1530. Sir Thomas’s age is given as 50 (Ætatis 50), but Sir John’s as 77, instead of “Anno 76” as in the sketch. Otherwise, in all these pictures, the ages of the sitters agree with the sketch, though the latter was done in 1527 and the former in 1530. This may be perhaps explained by the fact that Sir Thomas wished the ages to be kept as they were at the time when the studies were made, rather than when the picture was completed by another hand.