Hans Holbein the Younger, Volume 1 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 1 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
WORK IN LUCERNE AND THE VISIT TO LOMBARDY
Holbein leaves Basel for Lucerne—Ambrosius Holbein—The known facts of
his short life—His pictures, designs, and woodcuts—Records of Hans in
Lucerne—His decoration of the Hertenstein house—Description of the
wall-paintings—Portrait of Benedikt von Hertenstein—Holbein’s visit to
North Italy—“The Last Supper” at Basel, and Leonardo’s
influence—Evidences of his Italian journey in his designs for painted
glass—Possible visit to Altorf—Return to Lucerne—Drawings of the
“Archangel Michael” and of “Miners at Work”—Pictures painted for the
Church of the Augustines in Lucerne.
IN 1517 Holbein left Basel, and was absent for nearly two years. For the
greater part of the time he was in Lucerne, but traces of him are to be
found in other parts of Switzerland, and it is practically certain that
he also paid a short visit to Lombardy. It is possible, too, that during
this time he may have returned to Basel more than once for a few weeks
in connection with his work for Froben and other publishers. Whether he
left Basel in the first place because he found that it gave him less
employment than he had expected, or from a spirit of pure adventure, or,
again, on account of the offer of some definite commission, such as the
decoration of the Hertenstein house, is not known; but the last-named
reason is the most probable one, for it cannot be said that his talents
had been unrecognised in Basel. Although there is no record of any
earlier wall-paintings than those he was now to complete in Lucerne, it
is quite possible that the two brothers had already carried out work of
this nature, and that Jakob von Hertenstein had seen it and had admired
it, and so decided to employ one or both of the young men to decorate in
like fashion the new mansion he had just completed. Even if this were
not the case, Lucerne at that time offered nearly as many inducements to
a young artist as Basel itself. The two towns were closely allied, and
artists and learned scholars constantly passed backwards and forwards
between them; and Holbein had at least one acquaintance in Lucerne,
Oswald Molitor, who had recently returned from Basel to his native city,
and was practising there as a schoolmaster.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account