Hans Holbein the Younger, Volume 1 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 1 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
IN the summer or autumn of 1519 Holbein was back again in Basel. His
return may have been due to lack of sufficient employment in Lucerne, or
it may be that he was recalled by news of the death of his brother
Ambrosius. As already pointed out, no traces of the latter can be found
after this year, and it is generally supposed that he died about this
time. If such were the case, it is natural that Hans should return, in
order to wind up his brother’s affairs, and it may be, to complete any
commissions he may have left unfinished. Slight indications, also, of a
visit to his father, who was then working in Isenheim, not far from
Basel, are perhaps afforded by his designs for painted glass at Murbach
and Andlau, described in a later chapter, which he produced in the
following year.[189] He now made Basel his permanent residence, and from
that time until he came to England, seven years later, he was very
busily employed in painting portraits, altar-pieces for churches,
decorating house-fronts and interiors, and supplying designs for book
illustrations, and for the glass-painters, armourers, and metal-workers
of his adopted city.
On September 25, 1519, he became a member of the Painters’ Guild, the
“Zunft zum Himmel.” The entry runs: “Item, Hans Holbein the painter has
been received into the Guild on Sunday before St. Michael’s Day, in the
year 1519, and has sworn to preserve the statutes of the Guild like
every other Guild brother of the painters.” (“Item es hat die Zunfft
entffangen Hans Holbein der moller vff suntag vor sant michelss Dag im
XVCXIX jor vnd hat geschworen Der Zunft ordnung zu halten wie ein ander
Zunfftbruder der moller.”[190] His coat of arms,[191] a black bull’s
head with ringed nose, on a yellow or gold ground, surmounted by a red
star between the horns, and with “Hans Holbein de maller” inscribed
above it, painted at the time he was admitted a member, remained in the
Guild Chamber until modern times, and is now in the Basel Historical
Museum. The entrance fee was one pound three shillings. He soon appears
to have become an important member of the confraternity, for in the
following year, on June 25, 1520, he was elected chamber-master of the
Guild, as set forth in the treasurer’s book. A few days afterwards, on
July 3, 1520, he obtained the rights of citizenship; probably a
residence of twelve months was necessary before the freedom of the city
could be obtained, and Holbein had now been back in Basel for about a
year. The entry in the town book runs as follows:—“Item, Tuesday before
St. Ulrich’s Day anno 20 Hans Holbein of Augsburg, painter, has received
the right of citizenship, and has sworn in the customary manner.” (“Item
Zinstag vor Vlrici anno XX 1st Hans Holbeinen von Augspurg dem maler das
burgrecht glichenn. Et juravit pro ut moris est.”)[192] Less than a
month afterwards his name occurs, on the 1st of August 1520, in the
records of the Court of Justice. The wife of the painter Michel Schuman
Public-domain text, read in full here on John Shaqi.
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